insideKENT Magazine Issue 50 - May 2016 | Page 24

ARTS+ENTERTAINMENT KE NT ARTIST PROFILE: MATT HORNE Matt Horne has a unique way of doing things; he creates the most stunning pieces of pottery, but these vases, bowls, plates and more have a beautiful twist to them. It’s called crystalline, and it’s a truly lovely thing. insideKENT’s Lisamarie Lamb caught up with Matt to chat about this spectacular art form. be carefully detached once fired and the base of the piece ground smooth. As the crystal growth is random, this means that there can be many failures. Sometimes there may be very few or no crystals at all, other times crystals can cover the entire piece. When all goes well the effects can be stunning. How would you describe your What is it that you do? I produce hand-thrown decorative ceramics using unique crystalline glazing. The majority of my work is hand thrown on the potter’s wheel using porcelain but I also use a fine white stoneware for making bigger pieces. When I first started out as a potter I was making more functional pottery, but since I started working with crystalline glazes in 2009 my focus has switched mainly to more decorative work. I enjoy experimenting with different shapes and colour combinations to create exciting, contemporary forms. What inspires you? The inspiration for my forms comes to me mainly when I’m sat at the wheel and unless I am making a commissioned piece I very rarely set out with the intention to make a specific shape. I particularly enjoy making vases with a narrow base, wide belly and very thin neck as I love the elegance of these forms. I love a challenge and I am always pushing myself to create new and more extreme shapes. What is crystalline glazing, and how is it different to a standard glaze? Crystalline glazing is a specialist glaze where crystals made from zinc and silica, form in the glaze during the firing. Unlike most standard glazes, the effects achieved through crystalline glazes are completely random due to the crystal formation, meaning that every piece is a one off. The kiln is heated up to a temperature of 1260°C where it is held and then cooled, and it is during this time that the crystals grow in the glaze. Slight adjustments to the firing schedule can produce exciting and different results. The glaze is also very fluid, so each piece has to be attached to a pedestal and dish to catch the glaze run-off during the firing. This has to What has been your proudest artistic achievement to date? My proudest achievement to date was being invited to teach a workshop on Crystalline glazing in Dunedin, Florida in February this year. It was an honour to be asked to host this workshop as a number of the attendees were fellow potters 24 that have been working with crystalline glazes for many years. Where can we see your work? I supply various galleries and attend craft shows around the UK. An upto-date list can be found on my website. Several of the shows I will be attending this year are with the Sussex Guild, as I am a member. A selection of my work is available to view and purchase on my website, and I also make pieces to order on commission. What does the future hold? I am one of the featured makers at this year’s October Focus Exhibition at the Bevere Gallery in Worcester. I will also be continuing to su ǐ