InkSpired Magazine Issue No. 47 | Page 79

Snakes are often used to portray evil incarnate. In another light, they, as we ourselves, are just fellow occupants of the planet. It’s folklore that gives them the analytical reputation. Brandan toys with our preconceived notions of these figures. Stripping them of the sinister, he makes them appear as friend. Beelzebub is no monster. He’s just the fella sitting next to you at bar with many good stories to tell. Morgan Febrey: Turn of the century French circus, punk rock, folklore, and religion. Your art draws from a veritable buffet of influence. How’d you arrive at this style? Brandan Styles: I feel that art is not something that should be entirely new, but a passing of the torch. I love so much from art and history and I feel that my art is a smash up of all my influences. I want to pay my respects to those that came before and at the same time create something fresh from all the inspiration. I don’t know if I have arrived, as I am always searching and have a lot to learn. What I have come up with thus far is everything from my experience and journey in life, culling all of that into my art, pinpointing my existence at that moment and hoping it resonates with others. Morgan Febrey: You’re also a tattoo artist. What are some of the differences between your fine art medium and human flesh? Brandan Styles: Well I’m working on becoming a tattoo artist, not quite there yet. It is a new medium with a new tool and skillset to learn. Putting ink into skin is quite a bit different from putting it onto paper or wood. You can feel when the needle is in the skin properly as the skin will start to vibrate in a certain way. I am hopeful and excited that I will be able to add tattooing to my art skill set and transfer my style into tattooing, a most ancient and respectable art form. Morgan Febrey: It’s pretty rare to be a full time artist. I know you work your ass off. What’s it really take to make this possible? Brandan Styles: I am a full-time artist on top of having a little part-time job at a coffee shop. I think being a full time artist just means that you put most of your time into your vision and art, it comes before anything else. I do art festivals across the country which is my main way of getting art into the hands of collectors, as well as show with some galleries. It takes total dedication, love, endurance, and adaptation. I say make art to make art. If you want to make a living off your art than you have to find ways to make it happen. It is not quick nor easy, and certainly not for those who can’t hang on for the years it takes to get anywhere. I’ve just had a simple goal, make InkSpiredMagazine.com 77