old brothels,” she says. “I look for locations
that have a darker vibe. Every design is either
drawn or collaged together to get the look
and feeling that I want, but really, it’s the old
lithographs from the 1800s and the hand
drawn typography from the same era that I
can stare at for hours. I can’t ever seem to get
anywhere close to the beauty in their work,
not to mention, I don’t have the patience.”
She pours her heart into every shirt with the
feeling that people are wearing her personal
diary on their chest.
“Where do I see the company going?” she
asks. “As long I am creating, designing, and
having fun with what I do, the possibilities are
infinite. You can put any emotion on the front
of a shirt.”
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