InkSpired Magazine Issue No. 44 | Page 79

crusty like me, how’d ya come by it?” He told me he built it and after the stories of where it all came from we started talking tattoos. He had an arm full of old traditional work, like what I do, so I invited him to the shop for some ink. Before long, we met up at the shop and while we were tattooing, we started talking. He said he had never been tattooed by any “big names” in town, he was more into simple tattoos that had meaning to him, a place or a time to remember. I told him, “It’s not always the names that make the difference, we don’t know where we might be today without the influence of countless relative unknowns, whether that influence is obvious or not. Think of the Butterfly Effect. We may not know what some little known tattooer may have done for us even if they weren’t a Da Vinci of tattoo art, but they DID affect us.” We talked, we laughed, and we did a couple tattoos. One was an old flash pattern, the other was something I drew. Our conversation about the old being replaced by the new and how we were holding on to the past brought up some pretty good stuff. Things like with each new generation, the InkSpiredMagazine.com 77