her own personal experiences that make
them have a different way of seeing the world
and expressing their ideas, so considering
that, every one of us has that “unique touch”
you are talking about. In my case, it is the
same. The things that you love, the situations
you have experienced mark your soul
and influence your art. As for my tattooing
process, it really depends on the customer,
but I always tend to be linked to a concept or
idea. Even on my abstract pieces, I release
the mind but relate with something. I love
exploring certain concepts like opposites,
powerful wildness of nature, death, life, and
magic, so I think most of my pieces in some
way have one or many of those ideas. Even
when a client comes with something in mind,
I try to give them my own interpretation of
the thoughts and emotional reason they
want to get the tattoo done. After I get all
the details, I think a lot about the idea. The
way in which all the elements match on
the final composition is important, but the
idea is essential for me. Technically talking,
I can use stencils, draw freehand, or tattoo
directly on the skin without references. It
really depends on how the piece is going on.
At some point, it is quite intuitive. I’ve got a
system of work, of course, but I am never
completely stuck on it. If you are too attached
to the design, it loses its freshness and I love
being spontaneous. Sometimes I have new
ideas on the go while I am doing the piece
because when you desi v