Incite/Insight Winter 2018 Incite Insight Winter 2018 - Page 10

9 I n c i t e /I ns i ght W i n te r 201 8 any written work, we made an additional ensemble agreement to listen in the room; furthermore, we agreed not to offer creative criticism or peer review in this particular setting. (If the ensemble had been interested in generating performance research or potentially building on an idea to devise a longer theatrical piece, then the agreement may have taken on a different form.) In the second half of the workshop, we used newspaper images of current news stories on consent as inspiration points to create three-line scenes. Ultimately, the workshop culminated in a Q&A and final reflection circle. Participants shared their gratitude and appreciation for the space to create, converse, and deconstruct their opinions and understanding of consent. We then closed the afternoon with one collective breath. A few days after the workshop, I followed up with participants via email with an optional post- workshop survey. One of my intentions was to continue the conversation and encourage deeper connections to the work. I also wanted to offer support and check in with people in the event that the workshop stirred up negative or harmful memories. 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