Incite/Insight Summer 2018 Incite Insight 2018 Summer 5 | Page 26

26 Incite/Insight Member’s Corner Summer/Early Fall 2018 Incite/Insight Member’s Corner First Impressions The first evening I was there I was able to enjoy the performance in the park celebrating the anniversary of Puebla. It was full of humor and information. It was so fantastic sitting in a park under the stars in the center of Puebla, with the Catedral Basilica de Puebla right in front of us. The weather was perfect, a nice change from the still chilly weather in New York. Later on in the week, I also attended a dance performance by the dance network supported by Instituto Municipal de Arte y Cultura de Puebla (IMACP). The stage was simple and the dances included a mixture of classic dance to urban style movement. It was beautiful to experience, and I realized that dance surpasses any language barrier. I was also able to experience the Frida Kahlo exhibit that was just amazing! It was based on her on-again, off-again relationship with Nickolas Muray. The photos were taken at the height of their ten-year relationship and were just outstanding. JP Linguistics. It turned out to be one of the most fulfilling things I participated in over my sabbatical. I had forgotten how much I loved the language, and I had forgotten a lot of vocabulary. I had to be put in a situation where I could only use my Spanish to talk among other classmates, and I enjoyed it so much. Of course, one or two classes were not going to make me fluent, but they built my confidence enough to keep practicing; and while I did lean on my translator to work with the adults while in Mexico, I had a little more courage speaking in Spanish with the younger children and was able to teach on my own. They had patience, were more forgiving, and actually were very encouraging. In addition, I did notice that many of the children tried to speak English. Their drama teacher told me he didn’t know so many of them knew as much English as they did. By the end of the week, I was working with them in Spanish and they were responding in English. One highlight of the trip was working with the people of Instituto Municipal de Arte y Cultura de Puebla (IMACP) and their artists ranging from adults to students as young as age 6. They were responsible for bringing me there, and I am so grateful to have had the opportunity to work with their constituents. Alex and Mau, my contacts there, planned each detail to support me and I felt so well taken care of and so welcome. Discussion of the Work Program Nuclear Network (redes nucleares de danza y teatro) I was asked to lead these dance and Summer/Early Fall 2018 27 theater artists in sharing skills on how to collaborate with the communities in which they lived. I decided to use the power of Augusto Boal’s techniques, and my goal was to give them tactics to create meaningful dialogue in communities. We decided to split the groups in two. One day I facilitated a session with the dancers, and then on the other day I did the same with actors/playwrights/directors. I started by sharing some basic activities from Boal’s book Games for Actors and Non Actors and mostly used the activities to show how important it is to build ensemble when working with communities--recognizing that unlike an artistic company, communities often come together and do not know each other. In addition, oftentimes we don’t have weeks and weeks when using this work to advocate and give community a voice. I used basic games such as simple circle get to know you conversations, Columbian Hypnosis, Invasion of the Brain, 21, and some basic improv games. We discussed ways in which to engage the community in dialogue and also how to challenge the norms by using theater techniques. I used Image Theater to explore the steps needed to advocate on a topic that they felt passionate about. They decided they wanted to work together to identify next steps on how to advocate for more funding from the government to support the arts. Participant Outcome Participants gained an understanding of techniques related to Image Theater and how to engage the community in dialogue. Personal Outcome I gained a huge understanding from working with these actors, playwrights, directors, and dancers that this theme of support is an important one. Many artists