IN Sewickley Winter 2018 | Page 18

ringing in the BY NICOLE TAFE RING PITTSBURGH’S UPCOMING CONCERT FOR THE HOLIDAY SEASON Friday, Dec. 14, 6:30 p.m. Frick Art Museum 16 724.942.0940 TO ADVERTISE ❘ R season ing Pittsburgh is an auditioned community of musicians skilled in the art of handbell ringing. The unique ensemble takes a musical art form found mainly in church and worship settings and translates it to a professional concert setting. The group’s seasoned ringers educate and entertain audiences across southwestern Pennsylvania, and seek to advance the knowledge and awareness of the art of handbell ringing. “Ring Pittsburgh formed in the summer of 2016 around the Rossetti dining room table,” recalls Jim Rossetti, Music and Artistic Director of the group. “We formed from a church handbell choir that was no longer able to play because of a change in church personnel. As a church group we were very tight and didn’t like the prospect of not staying together to ring as an ensemble. Our only option seemed to be starting a community handbell choir.” When Tom Taylor, Director of Music at St. Paul’s United Methodist Church in Allison Park, learned of the group’s fate, he generously offered the use of the church’s icmags.com bells and other equipment along with rehearsal space at St. Paul’s. The group says they will be eternally grateful for the generosity. Ring Pittsburgh is led by officers and is a 501(c)(3) nonprofit organization. While Rossetti is the music and artistic director, most operational decisions and are made by the Board of Directors and Officers and carried out by the members. All members serve on at least one committee, handling things like publicity, funds, equipment, transportation for concerts, music library, concert scheduling, social media management and more. While there is no age requirement, to be a member of Ring Pittsburgh one must have some handbell experience as a ringer. Open auditions take place every other August, and the most recent ones were this past August. Candidates receive a copy of the group’s handbook and one musical selection to prepare at three bell positions of their choosing. Auditions are done in a group setting with the entire group to keep the audition as informal as possible. All candidates will then have a discussion with