Illinois Entertainer April 2015 | Page 45

Countryside, Milwaukee & Palatine MELECHESH Enki Continued from page 28 from old wounds so lustily that one might even call it her drug. Not that emotional masochism is the whole story – Jesse Winchester"s "Bless Us All," for instance, is a benediction, Bob Dylan"s "Unbelievable" a curse, and the Beatles" "Wait" a miracle of stylistic re-imagining. But none of them would feel as convincing as they do if they too didn't convey a sense of hurt. –Arsenio Orteza 7 YES Progeny - Highlights From Seventy-Two (Rhino) Knowledgeable fans of British progressive rock generally agree that the golden age of this music began in 1969 with the release of King Crimson's In The Court Of The Crimson King, and ended with the 1975 release of Genesis' The Lamb Lies Down On Broadway. In the middle of these releases were the best recordings ever made by Emerson Lake & Palmer, Pink Floyd, and Yes. This newly discovered group of live recordings made by Yes during its 1972 Close To The Edge tour is a 2 CD compilation of the best tracks from a more expansive 14 CD boxed set. The tracks released on 1973's iconic triple LP live Yessongs, also came from this batch of complete shows the band made on the tour. For those massive fans of the group, only the boxed set will suffice, but for more pragmatic music lovers, this 2 CD (or 3 vinyl disc) version will do just fine. YES is in fine form here, playing some of the best tracks of its early career such as "And You And I," "Yours Is No Disgrace," "Roundabout" and the entire "Close To The Edge," suite. The performances are tight and powerful, and far less self-indulgent than they eventually became with albums like Tales Of Topographic Oceans. Yes has lasted in many different configurations for nearly 50 years. It's a safe bet that many of its fans will say this period was the band's best. – Bruce Pilato 8 KANSAS Miracles Out Of Nowhere (Legacy) If you're thinking of investing in this documentary for its accompanying soundtrack, you'll be better off with an official Kansas compilation. If, however, you mainly want to know how "six guys from Topeka [ended] up becoming one of the most successful rock bands in the world," the DVD will answer that question and more. The humorous anecdotes – especially the one about Steven Tyler's futile attempts to sabotage a Kansas show – will come as a welcome surprise to anyone who has always assumed that Livgren, Walsh, et. al. were as serious as their introspective, prog-rocking songs. And although the original sextet hasn't played, recorded, or toured together for years, it's nice to see that they still get along well enough to reminisce happily about the days during which they did. —Arsenio Orteza 6 (Rhino) Enki requires patience. Despite an alluring list of ingredients (Middle Eastern blackened/thrash outfit residing in Germany, recording in Greece, Max Cavalera guests), Melechesh plays it straight: workmanlike, if unimaginative in its streamlined, pile-driving approach for six tracks. Then the wrecking ball: "The Palm, The Eye, and Lapis Lazuli" might be Enki"s shortest song but its savagery cannot be contained. While black metal has trended toward the ethereal and progressive lately, "The Palm" practically swaggers – all fist-pumping, arena-sized beats owing heavily to commercial-peak Megadeth. The closer, "The Outsiders," arrives totally unexpected, then, in crashing, multifarious suites that take 13 minutes to resolve and thrills from start to end. – Steve Forstneger 6 RHIANNON GIDDENS Tomorrow Is My Turn (Nonesuch) Not long ago, Rhiannon Giddens was "just" a Carolina Chocolate Drop. Now, she's also a New Basement Tape, the liveliest thing about Another Day, Another Time: Celebrating The Music Of Inside Llewyn Davis, and the proprietor of this ambitious experiment in blending excerpts from the Dolly Parton, Sister Rosetta Tharpe, Elizabeth Cotten, Hank Cochran, and Charles Aznavour songbooks. In short, she's risking overexposure. There's no gainsaying her taste, her talent, or her good intentions, but there's also a sense in which her awareness of all three colors the resulting music, making it seem more willful than it should. You can tell, in other words, that Giddens knows how good she is. To the extent that her producer and patron T Bone Burnett enables her to forget, it doesn't always matter. –Arsenio Orteza Sat. Apr. 11 Holiday Inn Countryside 6201 Joliet Road (Rt.66) Countryside • 847-409-9656 Show Hours: 10-4pm Sun. Apr. 12 Serb Hall 5101 W. Oklahoma Milwaukee, WI 10am-4pm Sat. May 16 6 Holiday Inn Express SOUNDGARDEN Echo If Miles: The Originals (A&M) When it comes to Seattle grunge heavyweights, Mudhoney was grungier, Nirvana more revered, Pearl Jam more mainstream, but no one was more metal grunge – and therefore Lolla – ready – than Soundgarden. This 14-track offering collects previous recordings that never appeared on a regular studio album, including "Heretic" featuring bassist Hiro Yamamoto, a creative force in the band's mid – to late - '80s beginnings. "Birth Ritual"--originally on the Singles soundtrack--is one of singer Chris Cornell's most memorable vocal deliveries, and opening track "Heretic" and "HIV Baby"– a gem of a garage-rock, punk/grunge explosion-further reveal him to be one of rock's most powerful singers. For a full collection of Soundgarden rarities, the band is releasing on vinyl only six albums-worth of such material (called "Echo Of Miles"), these tracks included, scheduled for May. 1550 E. Dundee Rd Palatine, IL • 847-409-9656 Show Hours: 10-4pm – Jason Scales 6 Follow us