Huffington Magazine Issue 18 | Page 97

Exit of Elizabeth Taylor, who won an Academy Award for her performance. Taylor was in her early 30s at the time, playing Martha, 20 years her senior. “She’s much too young, she looks wrong, but why not hire her? Whose aesthetic is that?” Albee asks. “Not mine. I believe the comparative question came up, ‘Do you want Bette Davis or Elizabeth Taylor playing Martha?’ My answer was and would be Bette Davis.” Albee naturally isn’t as hard on the productions he has had control over: “Most productions that I allow to happen are good jobs,” he says. “As long as they’re honest and try hard, and succeed to a certain extent, and tell the truth and don’t lie, that’s all you can ask.” Tracy Letts, who won a Pulitzer Prize for his 2008 play August: Osage County, stars in the current revival, giving a performance that’s been called one of the most revelatory Georges yet. He told the Wall Street Journal, “George and Martha are part of our cultural fiber, and we see them reflected throughout this culture in ways we don’t even recognize.” Perhaps it’s because much of Woolf exists on a subtextual level. Its themes emerge in moments THEATER HUFFINGTON 10.14.12 that could slip past you, like when George picks up a book and reads a line aloud — “And the West, encumbered by crippling alliances and burdened with a morality too rigid to accommodate itself to the swing of events, must eventually fall” — then laughs “ruefully” and hurls it away. “I always write about politics — sometimes it’s rather disguised,” Albee says. “How could you write I believe the comparative question came up, ‘Do you want Bette Davis or Elizabeth Taylor?’ My answer was and would be Bette Davis.” about the country and your people if you don’t talk about politics among many other things?” An outspoken liberal, Albee should have as much to write about his country as ever. “We’re in terrible trouble, morally, politically, and intellectually, in this country, and I’m desperately worried about it,” he told the Telegraph last year. More worried than at any point previous? “Probably. And also less,” he adds, his eyes flickering.