HeyU Issue 26 - 15 April 2015 | Page 6

WHAT TO WATCH uni life Chappie Where: Now showing in cinemas VISIT ON THE WEB In recent times we’ve been graced with some pretty decent science fiction films, some of these being District 9 and Elysium, both directed by Neill Blomkamp. Following these films is his third feature film, Chappie. Like its predecessors, it holds a lot of familiarities. easily be mistaken as a sequel to either of Blomkamp’s previous works, it falls short in some of the other areas that made his other works more relevant. Some directors strive to reinvent themselves with each film while others feel quite comfortable continuing to do what they do best. In Blomkamp’s case, it feels abundantly clear that he feels right at home with sci-fi action flicks set in a not-so far away, futuristic South Africa. District 9 and Elysium focused a great deal on “what if” scenarios, derivative of issues we face today such as immigration, overpopulation and class structure. In Chappie’s case, it deals with topics such as the ever advancing pursuit of Artificial Intelligence and then ultimately what makes humans… human, and how does that separate us from a machine. On the surface, District 9 and Elysium are held in high regard thanks to their reliance on gritty, realistic tones and styles. A design choice that resembles the works of Blade Runner, 2001: A Space Odyssey and even the original Star Wars, each with a world that feels alive and lived in. While Chappie follows this same trend and could Chappie follows the journey of a robot originally intended to be part of a line of robot law enforcers. Along the way he becomes mixed up in a conflict between rival weapon manufacturers all the while dealing with what it means to be human… by being taught by South African rap-rave group, Die Antwoord… You can’t make this stuff up! While Chappie himself was an interesting character that the audience could connect with, the same cannot be said for his Die Antwoord co-stars. While previous films brought to light some serious topics, Chappie’s themes became lost as the film progressed. In a way, the movie came to feel as if it was one long Die Antwoord music video, with their own merchandise and music littered everywhere throughout the film. It felt like they were more determined to advertise themselves rather than surprising the audience with breakthrough roles. Disappointingly, even big name actors such as Hugh Jackman and Sigourney Weaver failed to draw any empathetic connections with the audience. These drawbacks, coupled with a script that felt rushed and unfinished leaves you unsure whether it was meant to be a comedy or a drama, and ultimately what this movie was trying to say, if anything at all. WORDS: CORBEN MITCHELL – USQ Student TOM SHERSON – USQ Alumni IMAGES: CHAPPIE WEBSITE