HELLO! Pakistan July 2016 | Page 99

‘Throughout my career I’ve tried not to portray women characters as victims or helpless beings whose lives are only governed by external factors beyond their control’ - Mehreen MEHREEN JABBAR (Clockwise from leftmost) Hareem Farooq, Atiqa Odho, Tooba Siddiqui, Mehreen Jabbar & Sanam Saeed s What inspired the project ‘Dobara Phir Se?’ Bilal Sami, the writer of the film and I had been working on a story for a short telefilm about a couple’s marriage. Once that script was done, we thought why not make a film out of this. So we sat and discussed it for about 8 hours straight and came up with the idea of Dobara Phir Se which ended up being a totally different story to the short film originally drafted. What part of the story really drew you in? It’s simple and yet has lots to say. How vital is it (particularly in a climate where laws centering on women are being debated in the public sphere) to have women with their own agency shown in film and on television screens? Throughout my career I’ve tried not to portray women characters as victims or helpless beings whose lives are only governed by external factors beyond their control. I think especially in this day and age where most of our dramas, barring a few exceptions, are increasingly portraying some very retrogressive and stereotypical women’s roles, it’s very important to tell stories of women who speak for themselves, are proactive in society and in their lives. These characters can both be inspiring or flawed but at least they shouldn’t be pathetic caricatures. The talk about cinema’s revival in Pakistan only grows, what do you find most promising about the rise? Where can improvements be focused on? What is very encouraging is that more and more people are interested in investing in cinema and more and more people are making films. I think we have to be careful not to fall into the trap of only producing one kind of cinema. What has been great about this revival is that we have seen a bunch of different story lines and visions by various directors and that trend 97