Guitar Tricks Insider October/November Issue | Page 18

NUGGETS: NAME THAT TUNE Fig. 7 Fig. 7  __ =    3      E B                      3  0 0 3 3 1 0 3 2 1 3 2 0 3 0 4 0 0 1 2 Postwar Chicago blues legend and pioneer, Muddy Waters, and the other guitarists in his various bands, like Steady Rollin’ Bob Margolin, were fond of single-note bass string turnarounds seen in Fig. 7. Check out how a second guitar could strum E7, A7, E7, and B7 chords of two beats each as accompaniment, though just the I and V changes as indicated could also suffice. Fig. 8  __ =         Fig. 8 3 E  2 A 3     0 1 0 2    3 0 2 0      E C9 B9 0 3 3 3 2 2 2  Fig. 8 could be considered a “lead guitar” turnaround played over a rhythm guitar accompaniment or just a bass, due to its upper register range and bluesy “lick appeal.” Both Freddie King and Jimi Hendrix played similar patterns on electric guitar. 18 GUITAR TRICKS INSIDER DIGITAL EDITION OCT/NOV