Guitar Tricks Insider February/March Digital Edition | Page 65

ANOTHER TAKE - WHY A CATFISH?  __ =    E              3 Fig. 4 3 1/2  14 Fig. 5      1/2 14 14 12 14 14 12 12 10   12   12 Like Clark, John Mayer is a true contemporary bluesman even though he masquerades as a pop/rock star and celebrity. In Fig. 4 Mayer moves the E blues scale to the root octave position at fret 12 for a slashing sound. In addition, he tacks on a bass line similar to “I’m a Man” to produce a fluid, 2-measure phrase. Fig. 6  __ =    3      5 E 1/4  2 G7   3  5   5 3    5 3 3 0 2   0  2 2 0 0  2 2  0  2 2 A variation on the “Catfish” riff appears in the Paul Butterfield Band version of “Two Trains Running,” courtesy of guitar hero Mike Bloomfield, as seen in Fig. 5. The “comped” E5 voicings on beats 3 and 4 contribute musical stability and harmony. Fig. 7 The legendary Nehemiah “Skip” James went fishing his own way as seen in Fig. 6. Forgoing his so called “patented” open Dm tuning for standard tuning, he created an elegantly simple riff. The octave jumps are a particular dynamic found more often in postwar electric blues. FEB/MAR                 E       3 0 3 3 0 2 3 In Fig. 7 the J. Geils Band, featuring the undersung titular leader, is shown appropriating a variation for a John Lee Hooker cover. As in the Skip James example, we hear the value of wellchosen bass notes to capture the “Catfish.” DIGITAL EDITION 65