Guitar Tricks Insider February/March Digital Edition | Page 51

GEAR REVIEW FEATURES The EX-SS retains the old school D’Angelico appearance, which includes an ornate headstock and Stairstep look on the tailpiece, a truss rod cover, tuners, and a headstock with pearl inlay. The finish, pinstripe binding, mother-of-pearl inlays, and overall craftsmanship are flawless. A variety of finishes are offered including solid colors in black, white, and cream, and flamed maple finishes in gray/black burst, traditional yellow/black burst, and clear. The burst and clear finishes are exceptionally beautiful and showcase the visually stunning flame maple top underneath. The hardware choices are gold and black. A laminated flame maple top and back decorates the body. The neck is constructed with a 25” two-piece maple with walnut center/core and rosewood fretboard decorated with motherof-pearl inlay fret markers. While playing the guitar, the slim c-shaped neck felt comfortable and provided an easy grip for chords and string bending. The EX-SS comes equipped with two Kent Armstrong pickups perfectly matched for the guitar, and each pickup with its own volume and tone control. A three-way toggle switch allows you to choose between pickup configurations for the neck, neck and bridge, and bridge. The neck pickup with a clean tone sounds especially good for jazz and blues, and the combination of neck and bridge coaxes some funky R&B tones. The bridge pickup boasts a powerful mid-range honk well-suited for rock, and sounded exceptional when teamed with a Tube Screamer. Other hardware includes a Tune-O-Matic bridge, a signature Stairstep tailpiece that offers comfortable string tension for bends, and Grover Imperial Super-Rotomatic tuners, which provide a smooth turning radius for accurate tuning. Top that off with a deluxe hardshell case (included) to store this admirable instrument and you’re getting one heck of a deal. VERDICT In a nutshell, the EX-SS is a great choice for both the novice and seasoned pro looking for a versatile guitar to do it all. It’s a well-made guitar that brings the D’Angelico look and sound to a wide audience of guitarists who could only dream of owning an authentic D’Angelico. Now they can afford to make it a reality! FEB/MAR DIGITAL EDITION 51