Guitar Tricks Insider December Issue | Page 37

COVER STORY it to. Some songs hang out for years before we feel happy with them and resurrect them and finish them off. Others, in two takes they’ve come and gone and you’ve got to relearn it off your own record to play it later. Lots of times you think you’ve written four different songs and you take them to the studio and you realize they’re just variations on one song. “When we’re doing an album I come in with a handful of riffs and some songs. One or two will be fairly well-defined. Others, it would be – this could be dynamite for the Stones, but I have to wait until we all get together in the studio to find out. I can’t take it any farther by myself as a song, or a structure, or an idea until I’ve got their input. If there’s no kiss of life, if everybody walks off to the toilet, then you know you’ve got to drop that one and go on to something else. But when you just sort of pick up your guitar when the studio is virtually empty, people are telling jokes in the back room or playing dominoes, and then within two or three minutes they drift back, pick up their instruments, and begin whacking away, you know they’re into it.” From his years dedicated to the craft, Keith has come to view the songwriting experience as somewhat metaphysical, though he’d be the last to put it that way. “I never care if I have anything down on tape, or if the tape runs out and the song disappears, ’cause they all come back eventually. I’ve written songs and lost them and found them ten years later. Once it’s there, it’s there. It’s just a matter of how long it takes before it comes back out again. I find the more I play, the more I’m into it, the songs pour out. I don’t have a problem with being non-prolific. That’s all psychosomatic. Music isn’t something to think about – at least initially. Eventually it’s got to cover the spectrum, but especially with rock ‘n’ roll, first it has to touch you somewhere else. It could be the groin; it could be the heart; it could be the guts; it could be the toes. It’ll get to the brain eventually. The last thing I’m thinking about is the brain.” ■ “Happy” by The Rolling Stones DECEMBER SPECIAL DIGITAL EDITION GUITAR TRICKS INSIDER 37