Guitar Tricks Insider December Issue | Page 29

SOUND COVERADVICE STORY N No band better embodies the homegrown spirit than Boston, whose huge world-wide success literally started in the basement studio of guitarist/composer Tom Scholz. So it was in that very basement where we went for some sound advice on how to record your guitar in the studio. What’s the first step toward recording a good guitar sound in the studio? The first thing is to make sure the instrument is sounding good to your ear without the microphone. If it sounds questionable before you put a mic on it, chances are regardless of how you EQ it, the sound will still be lacking. Once you put the mic on it, things change quite a bit. On a Marshall speaker cabinet, if you put the mic in one place and then move it half a foot, the sound coming through the microphone will change drastically. Is there a good reason to use an amp instead of going straight to the board? There’s a very good reason. The guitar amp in modern usage gives you two additional things above and beyond the guitar. First, it gives you extreme distortion, which in most cases adds harmonic content and sustain. Even a relatively clean-sounding guitar is probably distorting for the peak passages. It levels out the changes in the guitar’s volume much the way a limiter would, and it also gives you DECEMBER SPECIAL DIGITAL EDITION GUITAR TRICKS INSIDER 29