Graphic Arts Magazine April 2019 | Page 19

Cover Story "DATE" YOUR PROSPECTS the ring itself. If a Tiffany’s ring sells for $6,000, the ring may be objectively appraised (minus the brand value of Tiffany & Co.) at $1,000. So what’s the little blue box and the Tiffany’s story worth? Precisely $5,000. The brand story crafted by Tiffany & Company and the reputation they’ve built, enables them to stand out amongst a crowd of other jewellers – and charge top dollar for products that come ‘wrapped in a story'. Furthermore, let’s say you’re in the business of selling drill bits. Godin argues that no one actually needs a 1/4” drill bit. In fact, they don’t need a hole in their wall either. They also don’t need the shelf that’ll be hung on the screw anchored to the wall. When we drill down to the underlying needs, they need to feel that the shelf they just hung looks good, and they need to receive validation from loved ones. Now, let’s apply this analogy to the printing industry. No one actually needs paper or ink or special cover stock that goes into making a book. In fact, they don’t even need the book itself! They also don’t need the story inside the book. When we uncover their true needs, they need to feel the love and care that comes from reading a beloved picture book with their child – for the 25th time this week! Cat food is not marketed to cats (Please stay with me…). If it were, it @graphicarts would be mouse-flavoured. Instead, cat food is, of course, marketed to cat owners who can afford (and have the ability) to buy cat food. Figure out who needs to hear the story you’re telling and craft your message to establish connections and communicate authen- tically with that audience. Therefore, don’t just sell paper and ink (neither features, nor benefits). Instead, sell a story. Sell a story that your prospects can tell their boss. Sell a story that fits their world view and can inherently be shared with others. Understanding what Godin calls your ‘smallest viable market’ helps clarif y the stor y you should tell. Determining for whom your remarkab le p ro duc t , ser v ice or experience is intended, helps to clarify who’ll listen as well as the impact you’ll make in the process. THIRD: Go ahead, ‘date’ your prospects There are two ways to find someone to marry you. First, you can hop on a dating app and find your future husband or wife by asking everyone to marry you. This is a numbers game where most people will ignore you. However, sooner or later you’re bound to find someone who will say ‘yes’ (although, I’d be nervous to meet this ‘yes-man’ or ‘yes-woman’). The second way to f ind your future husband or wife is through dating. Meet people and spend time with them. Invest in getting to know them, and see where it goes from there. In this instance, there’s a much better chance that the relationship will be more meaningful and longer- lasting for the two of you. Asking everyone on Tinder to marry you is to mass marketing, as traditional dating is to building meaningful business relationships. Like most things in life, quality counts over quantity. So why aren’t you ‘dating’ your prospects? Make them your friends and build relationships by treating each person differently. Customize their experiences with you and in doing so, you’ll make them feel inherently more human than through digital spam. Godin points out that it’s the first time in history that we can do this. We’ve been spamming our prospects for a long time and there are more opportunities than ever before to engage in real, meaningful relationships built on humanity and trust. Furthermore, he argues that viewing the sales process as a funnel (which is how most of us believe the selling framework must exist), is really expensive. Instead, through remarkability and framing your remarkability in a story that’s easily remembered and re - told, you’re essentially handing your funnel to your customer so they can flip the whole process on its head – thus turning the funnel it into a megaphone. These people are now your brand evangelists. By authentically sharing their remarkable GRAPHIC ARTS MAGAZINE | April 2019 | 19