Graphic Arts Magazine April 2019 | Page 16

Creative & Design Ryerson Library publishes new Web Design Primer open-source textbook Web Design Primer is a new open-source eBook published by Toronto’s Ryerson University Library by authors Richard Adams, Associate Professor at the School of Graphic Com- munications Management, and Ahmed Sagarwala, Manager of Industry Relations at the Digital Media Zone (DMZ). The book explains the basics of the HTML and CSS codes used to create web pages, as well as related technologies – including JavaScript, jQuery, audio, video, and animation. The book was designed to accompany a one-semester course on web design. Users can read the book online or download it in ePub and PDF versions from https://pressbooks.library.ryerson.ca/webdesign/. Printed versions can also be ordered from the site. The eBook was published under a Creative Commons “Share and Share Alike with Attribution” copyright license. This enables other instructors to download, edit, and use the book for their classes, royalty- free – the only requirement being to credit the original authors. The eBook was written on the library’s Pressbooks publishing platform and can be output in several formats. Adams added: “Students consider web design to be a fun but challenging topic, so we wanted to provide the most vital information in a succinct and easy-to-access format. Our previous textbook was about 2” thick, weigted about 2 lbs. and cost around $100 used. Compare this to the weight of a student’s laptop or tablet that they’re already carrying to class, and you can see what this means for accessibility.” Richard Adams, Associate Professor at Ryerson University’s School of Graphic Communications Management, with Sally Wilson, Web Services Librarian at the Ryerson University Library (Photo courtesy of Marissa Frosst). SGIA to lead special workshop on digital inkjet colour The Specialty Graphic Imaging Association (SGIA, Fairfax, Virginia) is convening some of the most experienced names in colour to address a serious need in the printing industry – colour standards for digital printing. A new working group 16 | April 2019 | GRAPHIC ARTS MAGAZINE will include representatives from industry-leading companies including WestRock, Fujifilm and Nazdar. Printers, manufacturers, software designers, colour experts and others will contribute their expertise. “There’s a big gap in the specification arena in the printing industry,” said Ray Weiss, Director of Digital Print Programs at the SGIA. “While colour specifications such as SWOP and GRACol are based on offset presses running traditional CMYK inks, digital printing is currently the ‘wild west’ with substrates and ink sets varying tremendously.” Ultimately, Weiss said the new targets will reduce waste, leading to more satisfied customers. SGIA’s working group will bring together professionals from all printing sectors including manufacturers of inks, media and presses, software designers, printers and colour experts. Additionally, the Sonoco Institute at Clemson University will provide measurement data, and SGIA Chief Economist Andrew Paparozzi will oversee the statistical calculations involved. “This is a challenging project, but we have some of the best colour people in the industry working on it,” Weiss added. We’ll keep you informed on future Ray Weiss developments right here. Ghent Workgroup releases new specification for digital print The Ghent Workgroup (GWG, Ghent, Belgium) has released a new specification for the growing small-format digital print segment. It provides standardized guidelines for PDF file creation, quality control for the segment, and has already been adopted by leading preflight vendors for their workflows. “In a recent Ghent Workgroup survey, digital print was identified as a key area missing good guidelines for the usage of PDF,” said Elli Cloots, Vice-Chair at the Ghent Workgroup and Senior Product Marketing Manager at EFI. The small-format digital print segment is similar to traditional commercial print, but the methodologies and equipment used are different enough to require specific guidelines. “Having this new specification helps to significantly improve standardization, and thus the possibility for automation in this growing segment,” she added. The specification was released under the umbrella of the Ghent Workgroup’s 2015 specifications, as it builds on those same principles. It describes the rules that PDF files used for digital print should follow. Software and hardware vendors can then use the specification to fine-tune file creation and quality control in their own workflows and output devices. The new specification is available on the Ghent Work- group website. Elli Cloots graphicartsmag.com