GLOSS Issue 20 FEB 2015 | Page 76

Backstage with Dylan How many times do you have to perform in front of 15,000 people before you’re relaxed in the hours before you go on stage? No pre-show jitters at the 3,000th show, certainly. It’s not the show that makes us nervous. It’s the story about the show, and doing the work makes the story go away. HOW MUCH DO YOU GET PAID TO WATCH TV? Bravery and courage are for other people It’s entirely possible that you are physically able to be a thoroughbred’s jockey or lead a battalion into battle or work the night shift as a cop. These are risky and difficult jobs, and they require bravery. And it’s more than likely that there are tasks you’re avoiding doing because they require significant emotional labor and the ability to overcome perceived risk. They’re not physically dangerous, but they require courage nonetheless. It’s easy to use words like “bravery” and “courage” because they pigeonhole the work. It is work for the brave and for the courageous, not for us. By labelling yourself as not-quite-brave or almostbut-not-yet courageous, you let yourself off the hook. It’s a label, and it’s a label for other people, people who are in a better place than you are, apparently. Getting off the broken escalator requires neither bravery nor courage. It’s not risky. It merely appears to be risky. I’m not asking you to be a brave person or a courageous person. I’m not pushing you to be some sort of creative genius when you believe you’re actually not. No, the opportunity lies in merely seeing what’s actually happening. False perceptions leading to a cycle of fear that’s baseless. You don’t need a permit or a blessing or any sort of permission to decide to take your turn. You only have to open your eyes and look. And then choose.