Gazelle - Page 70

I actu agenda I news diary I الأخبار املفكّ‏ رة Rome Rome روما À l’ombre des pyramides. La Mastaba de Nefer. Du 30 décembre 2016 au 28 mai 2017 - Musée de Sculpture antique Giovanni Barracco de Rome. Les vestiges de la Mastaba de Nefer, haut dignitaire égyptien enterré aux pieds de la grande pyramide de Khéops, ressurgissent du passé au Musée Barracco à Rome. Reconstituée à taille réelle, la bâtisse funéraire caractéristique des premières dynasties de la civilisation égyptienne dévoile la splendeur et les prouesses architecturales de l’Egypte au IIIème millénaire avant J.C. La loggia du Musée Barracco abrite ainsi la « stèle fausse-porte » et la chapelle funéraire de Nefer exhumées par le célèbre égyptologue Auguste Mariette au XIXème siècle, et reproduit dans son intégralité le décor en relief de l’intérieur de la Mastaba à l’aide de diapositives rétro éclairées. I fr.museobarracco.it In the shadow of the Pyramids, Dignitary Nefer’s Mastaba Museum of ancient sculpture Giovanni Barracco, Rome. 30 December ‘16 – 28 May ’17 The Mastaba of Nefer, an Egyptian high dignitary buried at the foot of the Great Pyramid of Cheops, brought back to life in its original size in Rome, at the Barracco Museum of Ancient Sculpture. The Mastaba, funerary buildings from the time of the first Egyptian dynasties unveil Egypt’s splendour and architectural prowess in the 3rd millennium BC. The loggia of the Barracco Museum houses the "stele of the false door”, including the reconstruction of the funeral chapel of Nefer, who was exhumed by the famous Egyptologist Auguste Mariette in the 19th Century, with backlit slides that recreate in their entirety the relief decoration inside the Mastaba. I en.museobarracco.it/ Vue aérienne de la pyramide de Cheops, entrée de la Mastaba de Nefer I Aerial view of the Great Pyramid of Cheops, entrance of Nefer’s Mastaba I صورة جوية لهرم خوفو،‏ مدخل مصطبة نفر ©Museo di Scultura Antica Guivanni Barraco في ظل األهرامات،‏ مصطبة ‏"نفر"‏ من 30 ديسمبر 2016 إلى غاية 28 ماي - 2017 متحف جيوفاني باراكو في روما.‏ بقايا مصطبة ‏"نفر"‏ ‏،الذي يعدّ‏ من كبار الشخصيات المصرية و المدفون عند سفح الهرم األكبر خوفو،‏ تعود بنا إلى أغوار الماضي في متحف باراكو في روما.‏ نصب الضريح الذي كان يستخدم كمثوى أخير لسالالت حكام مصر الباكرة التي صنعت الحضارة المصرية و يكشف لنا بعد أن أعيد تصميمه في حجمه الحقيقي،‏ روعة اإلنجازات المعمارية المصرية البارزة في األلفية الثالثة قبل الميالد.‏ يحتضن لوجيا متحف باراكو " لوحة الباب الوهمي الجنائزية"‏ ومصلّى ضريح ‏"نفر"‏ الذي استخرج على يدي ‏"أوغوست مارييت"‏ عالم اآلثار المصرية الشهير في القرن التاسع عشر واستنسخ بالكامل الديكور الداخلي البارز للمصطبة بواسطة شرائح ذات إضاءة خلفية.‏ fr.museobarracco.it 38 I envie découverte I wishlist discovery I ‫اكت�شـاف‬ ‫رغباتنا‬ I envie découverte I wishlist discovery I ‫اكت�شـاف‬ ‫رغباتنا‬ ‫اإليطالية‬ ‫واألناقة‬ ‫األسلوب‬ ،‫ميالنو‬ ‫مليون‬ 1,3 ‫عددهم‬ ‫البالغ‬ ‫بسكانها‬ ‫بالحياة‬ ‫نابضة‬ ‫مدينة‬ ‫هي‬ ‫ميالنو‬ ،‫نسمة‬ ‫بقدرتها‬ ‫تبهر‬ ‫فهي‬ ،‫الدائبة‬ ‫بالحركة‬ ‫تتميز‬ ‫والثقافة‬ ‫التاريخي‬ ‫التراث‬ ‫بين‬ ‫الجمع‬ ‫على‬ ‫لقب‬ ،‫جدارة‬ ‫وعن‬ ،‫تستحق‬ ‫وهي‬ ،‫المعاصرة‬ ‫دعونا‬ .‫والموضة‬ ‫التصميم‬ ‫فنون‬ ‫عاصمة‬ ‫بسحرها‬ ‫تأخذك‬ ‫دة‬ ‫ر‬ ّ ‫متف‬ ‫مدينة‬ ‫نكتشف‬ .‫األنفاس‬ ‫تحبس‬ ‫لتجربة‬ ‫اق‬ ‫ر‬ ّ ‫الب‬ 2 who step up on the grand opera’s stage. La Scala was named after a 14th-century church that stood on its spot, called Santa Maria della Scala. The church was torn down at the end of the 18th century to make way for a new opera house, designed by Giuseppe Piermarini. It opened its doors two years later, in 1778. 1 O Milan, Italian style and elegance With its 1.3 million inhabitants, Milan is a city in full effervescence. The capital of design and fashion, it has energy, style and vibrancy of a great international city. Milan’s unrivalled ability to combine historical heritage and contemporary culture is outstanding. 72 ur tour starts with the Duomo, the most important monument in Milan, in the heart of the historic centre. Built of carved and adorned white stone, with careful attention to detail and finish, the Duomo’s splendour and accuracy leave you speechless. It is the second highest Gothic cathedral in the world and has five aisles. Its immense fortress bordered by arcades and majestic buildings, creates a considerable square in the city. You keep walking through the masterpiece to the summit. Once on the rooftop, you glimpse the Madonnina, made of embossed and gilded copper plates, rising onto the main spire of Milan's Duomo, to watch over the city. A landmark and symbol of the city, The Madonnina has represented Milanese art and civic pride. Tradition demands that no other building in Milan is allowed to grow taller than the statue. Yet, today, higher buildings are allowed to surpass the Madonnina, provided that golden replicas are placed atop. 
 The sublime Galleria Vittorio Emanuele II, in the south of the Duomo square is no less staggering. It received its name from the first king of the united Italian kingdom, who inaugurated it at the end of the 19th century. Built in 1877 by the architect and engineer from Bologna, Giuseppe Mengoni, and considered his upmost achievement, the Galleria Vittorio Emanuele II is cross-shaped with an octagon in the centre. The interior is crowned by a majestic glass dome. Today, the Galleria Vittorio Emanuele II is not only a major touristic sight in Milan, but also a luxurious shopping mall, boasting the presence of all prestigious Italian brands. The Italian city is recognised internationally as one of the world's most important fashion capitals. Milan Fashion Week is the upmost fashion event of the year. Following this amazing window-shopping, you cross the gallery to reach La Scala Opera square. 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