FORUM Spring 2017 | Page 8

#ThrowbackTactics CULPRIT ON CAREERS Nostalgia and Pop Culture in Public Relations The Power of “Yes”: Say It Often BY DREW PENDLETON UNIVERSITY OF ALABAMA The phenomenon of nostalgia ­ specifically pop culture nos- — talgia as sparked recently by the resurgence of Pokémon Go and the revivals of “Full House” and “Gilmore Girls” — is an element of today’s digital space that ap- peals to mass audiences. Howev- er, for public relations profession- als, nostalgia can be a critical tool in turning a brand into a cultural- ly aware and engaging force. Nostalgia Marketing: The Past Influencing the Present The combination of nostalgia and public relations already has a name: nostalgia marketing. As Lauren Friedman of Forbes writes, “smart brands are engaging through retro roots” as a way to build relationships with their au- diences. From KFC to Nintendo, from Lego to Microsoft’s 2013 Internet Explorer update — the list goes on and on of brands that have tapped the past to influence the audience of the present. This trend can be epitomized in a hashtag that sweeps the world once a week: #Throwback- Thursday, affectionately known as “#tbt.” This wildly popular hashtag has its roots in nostalgia. As Hootsuite’s Kendall Walters puts it, the hashtag’s impact can be condensed to one final result: “Simply put: What’s old is cool again.” Pokémon Go: Catching Attention The long-running Japanese anime series that sparked a line of toys, card games, video games and countless other forms of merchandise expanded its reach in the summer of 2016 with the release of Pokémon Go, a mobile smartphone app that allows play- ers to “catch” Pokémon while roaming their own neighbor- hoods. This augmented reality approach served not just as en- tertainment but also, as The New York Times said, as “both a health booster and a social cementer” for its players. Across 10 days in July, as a PRWeek article cited Brand- watch, the game garnered 11.8 million social media mentions of the game — an embodiment of how much this brand’s resur- gence caught hold of the social media sphere. Other brands even jumped in on the trend. From Arby’s to the WWE to the Smith- sonian Institute, organizations and brands used Pokémon Go to spread their own messages and engage audiences where it mat- 1987 1999 2000 2016 2016 2016 8 WWW.PRSSA.PRSA.ORG/FORUM ters: in the trends that their audi- ences care about the most. Netflix: Television Throw- back The February 2016 premiere of “Fuller House,” Netflix’s re- booted version of the 1990s sitcom “Full House,” is a great example of brand engagement. As Diana Bradley of PRWeek details, brands from Maytag to Mercedes jumped at the chance to play off of some of the origi- nal show’s famed lines and land- marks through social media. The strategy behind these posts is clear: These brands know their audiences, and know that the then-upcoming release of the series would allow them to jump into the conversation on a trend- ing topic. Similarly, Netflix struck gold again with nostalgia marketing with the November 2016 release of “Gilmore Girls: A Year in the Life.” Of their many tactics, Net- flix hit a particular chord with their “Luke’s Diner” pop-up campaign, turning coffee shops across the country into the show’s well-known and beloved diner on the 16-year anniversary of the original show’s premiere. This particular tactic caused a wave of nostalgia to crash over the show’s fan base, allowing them to, as “CBS News” put it, “[get] their chance to experience a taste of life in [the show’s setting] Stars Hollow.” Public relations publi- cations such as PR Daily even got in on the revival buzz, relating lines and themes from the new show back to the public relations profession. The Way to an Audience The campaigns from Netflix hit a homerun. However, if nos- talgia’s role as a public relations tactic has served as any kind of breakthrough since its inception, it is this: Nostalgia is a critical way to reach millennials. As Bulldog Reporter’s Ariel Kramer notes, when companies sell products associated with one’s childhood, “many individu- als jump at the chance to rekindle memories by buying and using the product again.” Nostalgia goes hand in hand with memory, and when those memories come roaring back, they leave an emo- tional impact and encourage en- gagement. While nostalgia remains a cru- cial emotional bridge between a brand and its audience, it’s up to public relations professionals to make sure that the connection is sturdy, thoughtful and rele- vant. Whether it’s through a new Pokémon sighting or a cup of coffee from a television favorite, using an audience’s connection to the past opens the door to a potentially massively beneficial, creative and strategic public rela- tions approach. 1 2 3 “Yes”-focused individ- uals possess can-do at- titudes that are noticed by others, including bosses. “Yes” attitudes open doors to opportunities that broaden your ex- periences and ex pand your capabilities. Saying “yes” helps you overcome insecurity and fear of new challenges. It demonstrates that you’re BY RON CULP, FELLOW PRSA willing to tackle bigger as- DIRECTOR, GRADUATE PROGRAM IN PUBLIC RELATIONS signments. And others will AND ADVERTISING AT help you succeed if you sim- DEPAUL UNIVERSITY When Publications Editor in ply acknowledge that you Chief Krista Watson asked might need some guidance. Even if you think an me to write about the power idea is loony, try to of “yes,” I instantly recalled avoid the knee-jerk a conversation a couple of years ago with two over- “no.” Recognize something positive in all ideas as you worked agency interns. The first intern looked work the discussion toward a and sounded depressed, better approach. Saying “Yes — And ...” questioning her career de- is quite powerful. It cision. The other breath- promises to build on less intern said she’d never worked harder in her life, the positive. Second City but the experience con- friends Tom Yorton and Kel- firmed her passion for pub- ly Leonard wrote an excel- lic relations. Probing further, lent book about the use of I learned that the non-stop “Yes, And” in improvisation- demands of a big agency al comedy and how those two internship stifled the first in- words improve creativity and tern’s social life with friends collaboration in business. who had “normal” 9-to-5 “Yes — And ...” builds even jobs. She felt some guilt but more positive energy behind she routinely excused herself your intent to do a great job. from after-hours projects, Most of the great business while the other intern always leaders rose to the top of volunteered to help others. their careers by embracing Nine times out of 10, the the word “yes.” second interns’ peers and su- Eric Schmidt, chairman pervisors told her everything of Google’s parent Alphabet, was under control. But oc- Inc., nails the importance of casionally she was asked to “yes” when he says: “Even assist with both boring and if it’s a bit edgy, a bit out interesting chores. Within a of your comfort zone, say- few weeks she became the ing ‘yes’ means you will do “turn-to” junior staffer. something new, meet some- Fast forward three months. one new and make a differ- When a full-time account co- ence in your life, and likely ordinator position opened, guess who landed it? The in others’ lives as well. ‘Yes’ “say yes” intern’s public re- is a tiny word that can do big lations career was official- things. Say it often.” By the way, the first in- ly launched, and the other intern’s agency assignment tern that started this story eventually became a tele- ended abruptly. Supporting the theory you marketer before moving get a lot more done and can onto three other lateral jobs advance your career through in two years. Meanwhile, positive thinking, here are the “yes”-focused intern has five tips to keep in mind been promoted twice and when faced with your next now is a highly regarded ac- count executive. yes or no decision: 4 5 SPRING 2017