FORUM Fall 2014 Vol. 47, Issue 1 | Page 3

PHOTOS AND ARTICLE It’s a given that aspiring public relations professionals should know how to write, use social media and network. When the playing field is dauntingly level, what can you do to make yourself stand out? A great thing to do is offer something that will make you unique — something that will give you value beyond what the job description asks for. Mastering the art of photography is one way to do this. Research has shown that visuals are increasingly important in written communication. Being able to supplement your writing with an eye-catching image is not only a great addition to your skill set, but it will also go a long way in impressing a future employer. Use these five tips to help strengthen your photography and give your message a little extra life. Great photography is created by capturing the right amount of light. It’s always important to identify your light source whether the sun, a window or a lamp. Once you’ve identified your source, utilize it. Using a flash is always an option, but because it often gives a harsh tone to photographs, you should always opt for natural light when possible. The first image of the dog is dull because there is no light source being utilized. However, the image on the right has defined highlights, shadows and midtones because it is well-lit. The great thing about photography is the ability to capture a moment and save it. Since anything worth capturing is worth capturing in detail, don’t shy away from getting close to your subject. This will help accentuate your subject without zooming. Zooming is a helpful tool, but can reduce the quality of your picture by reducing the amount of light entering the lens. And remember, light is your best friend, so the zoom function should be avoided. Because this photo was shot as a close-up, you can see the texture in the painting and get a feel for the artist’s concentration. Think about how you’re cropping your subject, especially if the subject is a person. A rule of thumb is to avoid cropping at bodily joints such as the neck, elbows, wrists, hips, knees and ankles. Doing so can make your subject seem disproportioned and unnatural. Notice how awkward the musicians appear in the left top image. calm and pleasant effect, and high contrast for a dramatic or playful effect. Play around with your image until it best tells the story. In the example on the left, it is easy to tell how a change in contrast can make a difference in the feel of an image. The center of attention doesn’t have to be the center of the photograph. Use the rule of thirds to help guide your composition. Imagine your photograph is divided like a tic-tac-toe board. Place your subject where the lines intersect to give it prominence in the frame. A fresh composition will grab the reader’s eye and pull them into your writing. The photo on the right places the subject at the intersection and creates a more wholesome composition. EXPERIMENT WITH COLORS, CONTRAST For better or worse, we live in the day of the Instagram filter. Don’t get me wrong, I love how X-Pro II can make my quick snapshots warm and bold, but there is a time and a place for each filter. Think about the tone you want to convey with your picture. For starters, use low contrast for a Why You Can’t Miss National Conference PRSSA PUBLICATIONS EDITOR IN CHIEF Let’s face it. Not everything we do in college is fun. Hours upon hours of reading textbooks? Group projects? Cramming for exam after exam? None of these things are normally considered fun — nor are they exceptionally memorable. So when we find something that’s both beneficial and enjoyable, we hold onto it for all it’s worth. Fellow PRSSA members, let me tell you: National Conference promises to be one of these rare, precious college gems. Although this fall will be my first National Conference with PRSSA, I have attended multiple national journalism and professional conferences. I can tell you with confidence that there’s nothing quite like the rush that comes from be- ing in a room surrounded by people who simply understand you. Since conferences are only as great as the people who attend them, here are a few ways to overcome the obstacles that may stand in your way of attending: I CAN’T AFFORD THE PRICE Because the deadline to apply for the National Conference registration grant has passed, you’ve got to get creative. Get an on-campus job. Tutor a freshman. Offer to clean out a professor’s archives. Give up Starbucks once a week. Start budgeting now for this investment. As we’ve all heard: Where there’s a will, there’s a way. MISSING CLASSES IS TOO INTIMIDATING Explain to your professors that you’re missing their classes for educational purposes — as in, an investment in your future career — and they will likely be supportive. Plus, you probably weren’t going to have perfect attendance anyways. I DON’T KNOW ANYONE ELSE WHO WILL BE ATTENDING If this is holding you back, then you definitely need to go to the Conference. Meeting your future public relations peers is one of the first steps to becoming comfortable in the profession. At National Assembly, I discovered that PRSSA members are known for their quick bonding skills and knack for making all feel welcome. If this pa rt of Conference is still daunting to you, just know you’ll already have at least one friend and supporter there — me! Best of luck and can’t wait to see you in D.C., Laura Daronatsy