Flex Flex_USA_-_01_02_2018 | Page 133

PETERSON’S BACK WORKOUT /// TRAINING SPLIT bodybuilding,” he says. “I wasn’t doing well as a heavyweight, plus I didn’t really like the way my physique looked when I was trying to put on all that mass. That’s why the classic physique division was so appealing to me—I felt that at least going down to that lower weight would accentuate my body’s natural aesthetics, and I’d be happy with the way I looked again onstage.” One thing that hasn’t changed much for Peterson from his open bodybuilding days is his style of training. He still trains hard and heavy, evidenced by the back workout you’ll find here; the main difference now is more a matter of diet to keep his body weight in check. Symmetry and aesthetics always have and always will be important to him, regardless of what stage he competes on. EXERCISE Wide-grip Pullup (warmup) SETS REPS 4 15 5 4 5 5 “A lot of people think that classic physique and men’s physique are all about aesthetics and that bodybuilding is only about mass,” Peterson says. “That’s not true. Bodybuilding is about aesthetics also. Because that’s where it began. Classic physique is based off the physiques of the ’60s and ’70s. But what were those guys? They were bodybuilders. Bodybuilding today is still about symmetry and aesthetics—it’s just bigger now. Look at guys like Shawn Rhoden, Dexter Jackson, and Phil Heath. All of those guys have great aesthetics.” Once a bodybuilder, always a bodybuilder. FLEXONLINE.COM 131