Evolution Summer Edition | Page 13

PAGE 13 SUMMER 2015 Arts Curtain Call cont’d from pg. 1 sented solely by the upperclassmen as a final goodbye to the seniors while others wanted to give a wide variety of styles by featuring work from students of all grades. Classical Music’s piano program had one senior, Danielle Braga, represent the pianist program. Braga played one of her repertoire pieces: Prokofieff’s “Finale of Sonata No.2”, which is “one of the most brilliant, exciting, and explosive pieces in the entire piano literature,” said Sarkis Baltaian, director of the pianist program. “This piece showcases the technical abilities of piano playing, and combines all sorts of techniques in a modern setting that we currently live in today,” he said. Commercial Dance’s performance, choreographed by instructor Rochelle Napes, was called “No Going Back.” “This piece featured our most advanced level dancers which mainly consists of seniors and some juniors so there was no audition process,” said Jim Kolb, director of the conservatory. Eighteen dancers were featured in what Kolb described as a “combination of a lyrical and contemporary dance.” Conservatories also differ in the selection process and the setting of their presentation. Musical Theater had no audition process, and instead included a whopping 85-member cast from the four main-stage performances it has done this season: “A Chorus Line,” “A New Brain,” “Meet Me in St. Louis,” and Performing with the Pros. The students sang “What I Did for Love” from “A Chorus Line” as a B-roll video played behind them showing footage of rehearsals, practices, and classes. Utilizing both the stage and screen was something no conservatory had done to date for Season Finale. Creative Writing, on the other hand, had a more selective process that involved students signing up and reciting their poems in front of a Senior Danielle Braga plays Prokofieff’s “Finale of Sonata No.2” for Classica