Euromedia November December 2013 | Page 27

roundtable_round 28/11/2013 16:50 Page 2 ROUND TABLE Watch the whole discussion at www.advanced-television.com not quite there, there will be new extensions early next year and I expect fast adoption. For delivery to the home, the roadblock at the moment is decoding devices in the home. The major roll outs to the home will be 2015 onwards,” predicts Murra. “It’s a typical chicken and egg sit uation. We are a semiconductor company, we are building decoders anticipating there will be content in the market. Our decoders will be in market in 2014 and then it’s a case of ‘if you build it they will come’ there will be trial services in 2014 but I don’t see any launches before 2015,” says McKenna. “The client devices are definitely the longest lead in,” agrees Kramer, “the Olympics in 2016 is the next major event on the horizon that can drive those upgrades.” “There’s a legacy market worldwide of tens of millions of devices,” notes Murra, “so, it is not only about deploying a new standard but maximising the current infrastructure, this is why we continue investing in MPEG-4 and even MPEG-2 development.” “For sure, everything has to be backward compatible. When you put in a chip set into a home it has to be able to decode whatever “Most broadcasters are looking at HEVC and also 4K services.” John Nemeth, Elemental signal is sent to it,” says McKenna. So what are the prospects for Ultra HD? “It will be all about the user experience,” says Murra, “so, we are talking about higher frame rates – we are talking in the industry about 50-60 a second as a minimum – and higher bit depths too; HEVC as a standard has 10 bits for its first release.” technology and services. Our offering comprises services, software and infrastructure within Information and Communications Technology for telecom operators and other industries. Today 40 percent of the world’s mobile traffic goes through Ericsson networks and we support customers’ networks servicing more than 2.5 billion subscriptions. “I think with HEVC we’ve got a chance to really step up to the next level of broadcast and I hope we pick a common playing field that everyone achieves, that does lift the standard to a new level,” says McKenna. “Broadcasters know they have to deliver a wow factor. Current HD quickly became the current SD, so we’ve all got to move the game on,” warns Nemeth. “Yes, and I think the wow factor lies particularly in those frame rates as far as consumer perception is concerned,” comments Cramer. “The viewing experience is certainly different. It is a larger field of vision compared to HD and that means a greater sense of presence and this means a different way of shooting. In tests it has taken a lot to figure out the best way to capture this for best effect,” Murra relates. Is there a resistance from providers who have spent on HD and 3D to re-equip again? “I’m certainly not going to say they shouldn’t,” admits Nemeth, “but in that sense they are ready for it... I think people are putting 3D to one side as a bit of a one-off and the next move to HEVC 4K is really the next HD, we won’t be calling it Ultra when it comes out it will be HD and what we do today will be SD.” “In countries like India, there’s a move to digitisation and that’s SD, so UHD is a long way off. But in Europe broadcasters are accepting that buying cycles are coming down from 10 years to six-to-seven; it’s the same as buying a PC, you know there’s a better one coming later but at some point you have to get on the bus,” says McKenna. Just what bandwidth will be needed to deliver these services? “For HD you are talking 5-8MBs,” says Cramer, “so 4K with twice the compression should be perhaps 12-15MBs.” “It is the billion dollar question,” comments Murra, “HEVC should reduce bandwidth 50 per cent for an equivalent service. On LTE we have done demos delivering streams to mobile at under 1MBs. For 4K it is difficult to say because we don’t We are more than 110,000 people working with customers in more than 180 countries. Founded in 1876, Ericsson is headquartered in Stockholm, Sweden. Rovi Rovi Corporation is a global leader in digital entertainment technology solutions, powering the have a reference but the ambition is to deliver 4k over the same bandwidth as today’s MPEG2 HD. How much capacity also depends on the content – low frame rate films less, high action sports much more...” Is it also a chance for audio to make its mark? “As George Lucas says audio is 50 per cent of the movie experience and if we are upgrading the video experience we need to upgrade the audio as well,” declares McKenna. “Going back to when Nicam came in, when an audience was shown the same video movie with mono and then with stereo, 70 per cent said that with stereo, the picture quality was better even though it was identical. It is hugely important,” agrees Nemeth, What about 8K; should the market wait? “We’ve seen 8k in demos and it looks stunning. But normal viewing distance requires very large screens, which is a problem in European and Asian homes. I think any tenable 8K service is years away, but our research shows that people want a better quality of experience now,” says Murra. “And it is about the whole quality of “At some point you have to get on the bus.” Noel McKenna, Entropic experience; multi-screen, the social connectivity,” adds Kramer. “I think it is fair to say most broadcasters want a new standard like a hole in the head. For us it is all about giving them a choice. They don’t have to do 4K but for goodness sake choose technology that isn’t going to strand you in a cul-de-sac,” warns Nemeth. creation, distribution, discovery and enjoyment of entertainment at home or on the go. We are revolutionising the entertainment landscape with an extensive platform of products and services for consumer electronics manufacturers, service providers, studios, retailers and portals, advertisers, mobile carriers and STB manufacturers. These customers use our offerings - guidance technology, entertainment data, video production tools, video delivery platforms, content protection, content networking and advertising technologies, and media playback solutions - to bring consumers unique and exciting entertainment experiences anywhere. EUROMEDIA 27