romanticised interest in German culture. He went on to mirror this in an innovative and
resistant art form that reflects his view of Berlin, whilst narrating and arguably opening up
Western interpretations of the East through a broader, more accessible context. I would also
argue that the experimental nature of music production in the combination of various
intertextual forms during this period had arguably led to a redefinition of what we define as art
or music. This can also be read as a collapse of the aes