ONE
THREE
EIGHT
Would you just look at it!
Wood side panels, that
dramatically scooped back
plate, the outputs and power
switch panel nestling in one of
the side panels. And it’s got
Moog written on it. Moog.
The arpeggiator and its 64step sequencer. Hours of fun.
Interpolating waveform
selector (which means it
slides from one waveform to
another) for some really subtle
movement in sound.
T WO
Would you just look at it
again! The knobs sell the
thing before you’ve even
switched it on. And the extra
large cut-off knob, something
it shares with the Sub Phatty
et al, is a beauty. And when
you do switch it on, all the
pretty lights twinkle orangely
at you and make you feel
good about yourself. These
are the main reasons we lust
after synthesisers, aren’t
they? Aesthetics - don’t ever
pretend they don’t matter.
FOUR
The layout of the control
panel is simple yet
sophisticated.
FIVE
It’s paraphonic - you can play
two notes at once!
SIX
The Multidrive knob makes
everything sound edgy and
intense.
SEVEN
And so does the Feedback
knob! Fatness awaits.
NINE
The Mixer, which is a very
simple yet powerful soundshaping section.
TEN
We haven’t even scratched the
surface.