Drum Magazine Issue 2 | Page 90

8 8 Books The Girl Who Married a Lion by Alexander McCall Smith (pub. 2004, Canongate, 174 pages, £8.99) Not the mane attraction “ There was once a man who decided to review a book of stories. As he read, he realised that this was no ordinary book. In fact it was hardly a book at al l. It was more like scraps of text and occasional good bits stitched together to capitalise on the fame of the last book the author had written. The man was very sad. His name was Matt Taylor.” Be warned, this is not a book of the real world so brace yourself for children made of wax, men with trees growing out of their heads, cannibals gargling hot stones and, of course, a girl who married a lion. Yes, it’s African folk tales time. In fact, this book is a strange contradiction. Like the foreword written by Mama Ramotswe, a much-loved character from one of the author’s best-known works, The No.1 Ladies’ Detective Agency, it’s good in theory but promises more than it actually delivers. In total there are 18 stories here, gathered from Botswana and Zimbabwe, translated from Setswana, and then slightly augmented (for the Western reader) by the author. The opening story, Guinea Fowl Child, is pleasing, combining magic and morality, and displaying just the kind of ‘augmentation’ that you would expect having read the author’s introduction. Unfortunately things go quickly downhill with some stories being so short (just 3 pages in one case) that there isn’t room for a plot. Often whilst I was reading, I found myself wanting to know more than I’d been told. Not only are visual descriptions sometimes lacking, I also felt certain stories were actually incomplete, with little deeper meaning at all. Yet meaning is crucial in folk tales around the world: think of the satisfying human morality messages in Anancy Tales or Aesop’s Fables. There are quite a few instances of stories which can be reduced to something along the lines of, “There was once a thirsty man. He dug a hole and it filled with water. He drank his fill and was happy. The end.” It was hard not to add, “So what?” Despite these criticisms the range of themes covered by the collection is certainly broad. Some tales tell how animals and people are related. Others provoke a little more thought, and these are the ones which I lingered over. If you decide to take the plunge, do spend time reflecting on the girl who married a lion. Although her husband looks like a man and sires two boys, he proves to be a lion, leaving lion’s paw marks when he’s chased from the village. For me it raised interesting questions of ‘the enemy within’, people who look like one thing but in fact are another. I wondered whether there were lessons we could learn about the current terrorist paranoia. Should we be devising special tests to reveal others’ true natures, as they do in the story? And in the end, no matter what tendencies someone might harbour, does it matter if they don’t enact them? If only there were more stories like the opening and title tales, I could recommend this book. As it stands, I think, like Mama Ramotswe, it’s mostly to be read, “…when there’s nothing much [else] to be done.”