Drum Magazine Issue 2 | Page 85

The Sounds Of Music 8 3 bleak, funny, sad, eerie and odd look at Grae’s seven day cycle. “Days have different emotions too, so I just tried to tell that story,” she says of the record’s concept, before pointing out it contains more than musical benefits. “There are no carbohydrates,” laughs the South African-born, New Yorkraised rapper. “You can buy this album and feel completely guilt free, like the Atkins diet. It’s really, really good for you.” Sean Paul’s dutty dancehall may have eclipsed reggae in recent years, but roots music is still alive and thriving on the Isle of Jamaica. In a shop near you now, Al Pancho, Daddy Freddy and Gregory Issacs have all recently released records. From Pancho’s conscious Righteous Men to Isaac’s rootsrocking Revenge, the three prove you don’t have to be bashy to be brilliant. Another trio of male solo artists with sumptuous sounds to be found are LA-based, Aceyalone, Mikah 9 and Abstract Rude a.k.a Haiku D’Etat. Their second album as a group, Coup De Théatre takes on Japanese poetry, hip hop, death and massconsumerism. The antithesis of over-sampled, braggadocio-bloated hip hop, here we have utterly sublime sonics, laid-back grooves, jazz-soaked snares and more abstract, witty wordplay than you could possibly know what to do with. Artistes from left to right: Jean Grae, Ayak