Drag Illustrated Issue 158, July 2020 | Page 26

Dirt THE AUTHOR (LEFT), WITH JAMES PATTERSON Fuelin’ Around Former VP Racing Fuels exec Jim Kelly enjoying new career as author By Nate Van Wagnen When Jim “J.K.” Kelly retired from his management position at VP Racing Fuels late in May 2015, he could’ve taken up the typical retirement activities: golfing, boating, fishing, traveling, etc. That’s not to say he hasn’t done those things, but when his management career wrapped up, his career as an author was just getting started. Kelly, who first started working in motorsports in the ‘70s as a photographer and writer for Super Stock & Drag IlluStrateD (no relation to this Drag IlluStrateD), wrote his first novel, Found In Time, towards the end of his time at VP. His early retirement allowed him the time to indulge his rekindled passion for writing. Kelly released two more books since then, all while serving as a marketing consultant for VP and spending time with his family. Found In Time and its sequel, The Lost Pulse, are military thrillers with a science fiction twist. But Fuelin’ Around, Kelly’s second of the three books, is the page-turner for readers with an interest in drag racing and motorsports in general. It’s a memoir of sorts, with Kelly looking back on his path from a teenaged gearhead to an executive who traveled the world selling racing fuel to everyone from weekend warriors to legends like John Force. Kelly tells the history of VP’s rise to prominence alongside his own, describing the growing pains and achievements that both he and the company experienced along the way. Earlier this year, Kelly spoke with Drag IlluStrateD to talk about his books, his future plans and his push to encourage racers to read not just his books, but more books in general. You spent 28 years working as a regional manager for VP. Before that, you were a writer and photographer for magazines like SS&DI and Car Craft. What inspired you to get back to writing? I’ve always had a passion for writing. I was doing it through college, did it for Super Stock & Drag Illustrated and some of the other magazines, but once I got the job first with DiGard working with [Darrell] Waltrip on the NASCAR circuit, then jumped in with Steve Burns at VP, there just wasn’t enough time in the day to focus on all the passions, between the work and the travel I was doing. Then as the family started to come along, there just weren’t enough hours in the day. So I really had to put that off to the side. I did have the ability to quench my thirst for writing to a degree because VP was so small at the early stages that we didn’t have a marketing department. The managers drummed gas, drove trucks, wrote PR, worked trade shows, did everything and anything. It wasn’t until after I had been at VP for close to 30 years that to a large degree the feeling I had was that we had built the engine, built the race car, built the track, built the series and it was doing its thing. I wasn’t getting tired of the challenges, I was getting tired of the road. What I had seen was my children, who had put up with my nonsense of always being gone and doing the things I was doing, they were now grown and starting to make babies of their own. My wife’s health was a little bit of an issue as well. That’s when I got a sense that it was time to get back into something else. I always had a couple books in mind. I always wanted to write, I just didn’t have the time to focus on it full time. When I did decide to retire, I was able to sit down at the word processor. How did you get into publishing novels? The first one just flowed. I went through the whole process of going through queries. Writing a book and then getting an agent to pick it up and getting a mainstream publisher to pick it up is almost like trying to qualify for the Daytona 500. The problem is, instead of having 50 or 60 cars trying to make a 42-car field, there are a million writers trying to fill a hundred or a thousand slots. After going through that process of writing query letters and all that nonsense, I decided to self-publish. That’s something that Amazon and some other companies have allowed writers to do. The first book came out, got great reviews and was very successful. It’s pretty rare to find books about drag racing. What would you say to the people who find your book, but might be on the fence about sitting down and reading it? I asked a couple racetracks last year if they would carry my book in their gift shops. The Sprint Car Hall of Fame carries it. Some of the other tracks carry it. But one of the guys at a track where a lot of Drag IlluStrateD readers race at, I asked him to put a half-dozen books in his gift shop and see if people buy them. He said, “Racers don’t read.” I was kind of taken aback by that. The response I had in racing to all my books has been very good, but I hear a lot of “I’ve seen your book, I’ve heard it’s really good, but I haven’t read a book since high school. So sorry, but...” So I would encourage people, if they have the time, to read more. Kindle is a great thing. Audible is a great thing for the racers who are going down the highway and can’t read because they’re driving. Get an Audible thing and listen to a book that way. It’s a tremendous world out there. DI 26 | Drag Illustrated | DragIllustrated.com Issue 158