Drag Illustrated Issue 121, May 2017 | Page 66

PARTNER SPOTLIGHT G How Mark Menscer Became ‘The Shock Nerd’ iven his proclivity for making magic out of suspension systems and popularity amongst big-name drag rac- ers, it’s hard to believe that the highly- respected man known as “The Shock Nerd”, Mark Menscer, once knew nothing at all about the sport. Based out of his home state of North Carolina, Menscer has been involved in motorsports since day one – just not in a way that most would expect. His grandfather, A.L. Menscer, was one of the early members of NASCAR in the late 1940s and became a prominent figure in the series. As such, the circle track way of life is what Menscer grew up with, and where he first got his start. After high school, however, Menscer took a temporary break from racing to pursue his ex- traordinary musical talents. He fronted a band of his own, and played lead guitar for legends like Patti LaBelle and B.B. King while touring blues and jazz festivals. Next, he worked as a photojournalist and spent time shooting people, wildlife, conflict, and more throughout Africa and Central America. “Being chased by lions in the jungle will prepare you for drag racing,” joked Menscer, now 38, who also made a career out of transporting zoo animals, including lions, tigers, leopards, and more, once he was back home in the United States. Eventually, Menscer returned to motorsports in the early 2000s. Working as both a circle track crew chief and a car owner gave him a different perspective on how and why things worked, and he found himself asking a lot of questions. “My shock guy was great but I would get answers like ‘that’s just the way we’ve always done it’ and I needed more than that, so I took all my shit apart and learned how to do it myself,” said the mechanically-minded Menscer. When the team at AFCO invited Menscer to attend a race in Indianapolis, the tides began to turn. He connected with a few customers, and, suddenly, people were calling him about drag rac- ing shocks. “I didn’t know the sixty-foot cone from the scoreboard; I had never really gotten near those cars before,” laughed Menscer, with a hint of sarcasm in his voice, “but I knew everything you could about a dirt modified or a dirt late model.” Desperate times call for desperate measures, and as Menscer was admittedly struggling hard to make a living in the circle track world, he decided to give the drag racing thing a shot. “It got so bad that we couldn’t buy gas to put in the propane tank during the winter, so we would heat our house with a little space heater,” he confessed of the tough times that he and his lovely wife, Ally, faced. “Ally has been so wonderful and amazingly patient through all of this, especially since she has to share me with the racing community.” 66 | D r a g I l l u s t r a t e d | DragIllustrated.com Around 2007, Menscer got his shop, Menscer Motorsports, certified through AFCO as a service center. He sold all of his circle track gear, and, combined with money borrowed from a “you might not want to print that” source, Menscer was able to purchase a shock dyno and other equipment to get his business going. “I only had about twelve dollars in my checking account af- ter that… it was a huge leap of faith,” added the suspension guru. A few years later, Menscer was talking with Eric Saffell at AFCO. “Eric had an idea… everyone in circle track racing used custom-tuned shock ab- sorbers, but no one in drag racing was interested in tuning drag shocks,” Menscer recalled of the conversation that really solidified his partnership with AFCO. “He kicked me some customers, I met some people, focused on building relationships, and it paid off way more than anything else ever could have.” Those relationships kicked Menscer’s opera- tion into high gear around 2012. He credits fate as having a big hand in how things worked out, because the first main drivers that he worked with were none other than Kevin “Flash” Fiscus and Stevie “Fast” Jackson and his tuner, Phil Shuler, and he couldn’t be more appreciative of the op- portunities the two allowed him. “Fiscus said ‘if you think you can tune suspension, have at it,’ and we went to every track we could find and went out there and moved four-link bars, clicked shocks, moved weight, and I did everything I could think of until I learned how to tune suspension for a drag radial,” explained Menscer, who was first in- troduced to Fiscus by heads-up racer J.R. Gibson and to Jackson by Robbie Lowry. It was then that he had an epiphany. Menscer knew how to make traction in a dirt late model through adjusting the thrust angle in the rear bars and figured he could apply it to his new market. “It’s called anti-squat in drag racing, and I knew how to do it! Once I made that connection, that’s when I started flipping people over backwards, and I knew if I could get the front end to stay down, we would haul ass,” he said excitedly of the pivotal moment that would inevitably become a game-changer in small tire racing. “What a drag radial car does now actually has more in common with a dirt late model than any other drag car; it’s not even related to a Pro Mod or slick tire car whatsoever.” Perhaps it’s his intrinsic ability to understand the what and the why that sets Menscer and Men- scer Motorsports apart from other suspension shops. Rather than take a “one size fits all” ap- proach to suspension packages, Menscer prefers instead to listen to the car and let it tell him what it wants. “I look at the program and figure out Issue 121