DJ Mag Canada 011- November 2013 | Page 86

04 ?02 TIËSTO From: Holland. Style: “Provocative.” Best known for: “Continuing being a legend.” Tune of 2013: “Danny Avila ‘Tronco’.” Breakthrough DJ/producer of 2013: “MOTi.” TIËSTO needs no introduction to any readers of DJ Mag and most likely not even to someone with just a passing interest in the Top 100 poll. But what if there was a dance fan somewhere on (or off) the planet who did not know who Tijs Michiel Verwest is better known as? “As a lifelong fan of dance music I’d want people to know me as a tireless worker who played some really tremendous landmark live shows and helped to de?ne modern dance music,” is the way the man himself would want to be known. “To help grow the scene has always been so important to me over personal achievements,” he humbly adds. With a career that now spans almost 20 years, DJ Mag asks if Tiësto ?nds it hard to be excited by new music? “Not at all,” he explains. “If you listened to my music when I ?rst started through to the present, you’ll realise how much it’s changed. There are so many talented young producers that inspire me tremendously.” To highlight this, he cites ‘Kveikur’ by Sigur Rós and Ellie Goulding’s ‘Halcyon Days’ as favourite recent non-dance music and goes on to tell us how important it is to have an overview which is not de?ned by a single genre. “I like to think I’ve played a part in the overall growth of dance music without labelling genres,” he says. “I guess Tiësto is a good thing to say because I like people to look at this name and think of all types of dance music. Through Have DJs’ fees got out of hand? “I think you need to look at this question from a larger perspective. People make the same comments about athletes and actors with regards to salaries. It’s the business of entertainment and clubs are not paying a DJ and incurring enormous production fees unless they can see a return, or at least break even on the expenses.” Has dance music become the new pop? “I don’t know if you can call it the new pop because pop encompasses many different genres of music. Basically, anything you hear on commercial radio and it’s broad. Certainly dance music has a major hand in the production of many of today’s pop hits and some breakthrough tracks as well; ‘Clarity’ being one of them.” Do DJs have a duty to speak out about drugs? “I know a lot of dance music fans really look up to DJs and certainly this topic — along with some other topics — do deserve a discussion. The educational process is continuous.” What would be on your fantasy rider? “Probably the best pizza in the world (I like to have pizza back stage before my shows) and some of my favourite hard-to?nd drinks. This along with my best friends would be an amazing experience.” 040 djmag.com my career I’ve always mixed things up. My current sets have house, trap, hardstyle and much more. The reason is because I love all of the music and want to play it for my fans.” With recent shows such as the 26,000-capacity Home Depot Center in Los Angeles being billed as ‘the largest single DJ event in US history’, it seems that coming up with new ideas isn’t a problem. “I travel the world and pay attention to what’s going on around me. I’m always looking to do exciting things and if I have some crazy idea I’ll often want to do it!” he exclaims. But is he driven by a need to always go for something bigger than before? “I don’t think it’s about ‘bigger’, I think moving forward is driven by ideas and concepts. Taking risks and doing things just because you think it’s a good idea and that it feels right for you. If that means playing a massive arena, ?ne, but moving forward is much more than that,” he answers. Having recently moved to live in New York and with plans for a brand new artist album release in 2014, things show no sign of slowing down, but who does he think will follow in his footsteps? “There will never be a next Tiësto,” he says, “every DJ that makes it to the top has his own uniqueness.” DAVID MCCARTHY