DJ Mag Canada 011- November 2013 | Page 12

FEATURE: ØRJAN NILSEN Ø ...when you get back home from a tour you are so inspired and all you want to do is go straight down and click. You’ll have it all in your head. It’s almost like you accumulate all the ideas while on tour. It’s pretty cool when you get back home with all these ideas. I ?nd it interesting that Twitter and Facebook can be used as a gathering tool, do you enjoy using social media in this capacity? Oh de?nitely! We did it one time before actually. My manager Phillip and I were in Slovakia and we had no idea what to do. The promoter was basically absent. We had no idea where he was and he didn’t even contact us. We basically went on Twitter and Facebook and said we were in Slovakia and asked if anyone knew the local scene and to help us out. We were bored. How about Soundcloud as a tool? I would imagine you get the same immediate response on tracks using it as well. We’ve tried to put more and more up on Soundcloud, but the thing is that I’m starting a radio show. Soundcloud is going to be a place where people can hear it again, but I think it’s going to be on Serius XM, which is North American exclusive. I’ve noticed a plethora of other Armada artists developing radio shows as well. What has been your motivation behind this step. My fans! I had a radio show back in the day, but I didn’t have time for it because it was a two-hour radio show. Lately it has been a bit of a demand to have a radio show. I’m actually really eager to do it again. So what plans do you have with your brand new record label ‘In My Opinion’? The same name as my album, it’s something I’ve been toying around with for quite some time, but this was the perfect moment for it. I’ve already made several releases for it, collabs with people from my city. There’s some sort of movement in my city about making trance music and house music, so I have 3 or 4 producers in my hometown who are actually able to make music. I’m de?nitely looking for demos all the time. What convinced you to making the jump to do this? It’ll give me control over my own development as well as being able to sign stuff I really like. You get so many promos and demos that you don’t have anywhere to put them. If I think a track is good I need some place to sign it, and I need a place to do that. This was the next logical step in my career. Also if I produce a t