DiSTORTION Apr. 2014 | Page 13

By: Michael Gust 1 As mentioned in the article before, researchers find it important for youth to witness female leaders and decision makers so they consider them to be more of the standard. That article mentioned that we should specifically shed light on women who have real authoritative positions like politicians and scientists, however I believe that so long as the character has a definitive role, it should not matter whether she is a lawyer or a witch hunter; the positive impact that it will have will remain the same. To prove that, here are a few examples. The tween craze has finally shifted from the fangs and werewolves of the Twilight series by Stephanie Meyers towards the unconventional lifestyle and culture of the characters in The Hunger Games. A.O. Scott and Manohla Dargis of the New York times termed Katniss Everdeen from The Hunger Games to be “one of the most radical female characters to appear in American movies” and “a new type of woman warrior” (Scott). As an individual, it is believed that the reason why Katniss speaks to so much of her audience is because she was a female character who lived in culture much different ours. She is self-dependent and motivated; defiant and ready to confront any hurdles that may come her way with the use of her own resources. Scott goes so far as to even compare her to Natty Bumppo, a pivotal figure in Western literature, saying that like Bumppo, Everdeen is also an introvert “who defends the fragile society of the frontier without ever becoming part of it” (Scott). Finally, Katniss is anything but free. The only place she has ever called home has just been terrorized and her whole life has been thrown into shambles, yet she remains relentless with freedom being the only thing in sight. The spirit and actions of Katniss allow her to have “multiple symbolic identities” making her relevant to anyone (Scott). Because of this she gives everyone someone to believe in, something to hold onto. Another prime example would be Lisabeth Salander of The Girl With the Dragon Tattoo. In both the novel and film adaptation, Salander is represented as violent, a lesbian, bisexual, short, dark and extremely lean. “Salander fits no type; she's no comic-book superwoman, no flirty Charlie's Angel. She's flesh and bones, real (Torregrosa).” Through the journey we learn that Salander holds even more substance beneath her thin, pale skin. She has endured years of both physical and mental abuse as well as rape. She carries it with her wherever she goes, with the scars practically ingrained in her eyes. However, she still remains courageous as ever and smarter than anyone else. Luisita Torregrossa believes that the moral behind the series is not about spies, murders, or crimes, but rather about the inherent issue of female abuse. Lisabeth “Salander is [a female here in the sense that she is] the symbol and embodiment of that violence, victim and survivor, vengeful angel” (Torregrosa). And we we watch or read, there is no doubt that she will survive.