December 2016 Issue #4 | Page 17

Heyman adds that Rowling “didn’t need to go back to this world for any other reason than that she wanted to. There’s a real sense of it being an author’s creation.” J.K. Rowling’s First Screenplay: Director David Yates, who has been a part of the wizarding world since Harry Potter and the Order of the Phoenix (2007), also heaps praise on Rowling’s first outing as a screenwriter. “Jo’s an extraordinary writer,” he says. “She hadn’t written a screenplay before, so this was a new experience for her. “If you work with a traditional screenwriter, you’ll give lots of notes and the writer will go away and spend three to six months re-writing. With Jo, it’s an extraordinary process because she doesn’t realize that’s how it should work. You give Jo notes and then a week later you’ll get a script. And I’ll be like, ‘Whoa! Jo’s just delivered a script — after a week!’” Heyman adds of Rowling: “Her tireless imagination is a gift. She’s always there if we need to consult her.” Wizards Assemble: Eddie Redmayne was the filImakers first and only choice for the lead role. “You can believe that [Eddie]’s a magizoologist,” says Heyman. “He’s kind of quirky, kind of off-center, but he has a deep-seated intelligence.” In Fantastic Beasts, Scamander teams with a trio of new friends to round up his crazed critters and — with Redmayne in place — the hunt was on to find actors that could authentically portray outsiders but had that chemistry that proved so important to the Potter films. Katherine Waterston secured the role of Porpentina “Tina” Goldstein, an ambitious worker at the Magical Congress of the United States of America (