Creating Genius Magazine Summer Issue | Page 64

brands who want to have a place in music and comedy. We’ve had a lot of success there and I believe we can do that for a lot more brands in the future.” D Before the team came together, Zucatti was working for another company doing college radio promotion and Landman was a music director at Ithaca College. In fact, Zucatti would promote records to Landman and after working together in that aspect, she hired him to work inside the college radio department of her current company. “I remember the bathroom didn’t have a light, we had to take a flashlight with us to the bathroom,” said team member and partner, Jon Landman. “It was these kind of do it yourself experiences that gave us a hands-on approach to the business.” “We clicked from the get go. We had a great working relationship, a great dynamic between us and we gained the respect of a lot of our other clients at this other company,” Zucatti said. “As that company started to downsize a little, we were doing well and decided to try it on our own. A lot of our clients said wherever you guys are, we will go with you and many of them did. We were very lucky in that respect that a handful of our clients came with us.” uring the first two weeks of their company, The Syndicate made its home in an open warehouse. With five computers, five phones and no heat, it was Syndicate’s passion for the music and comedy industry that kept them in the game. Since the days of their flashlight-guided bathroom trips, The Syndicate team has grown to become an awardwinning marketing agency for music and comedy artists including well-known names such as Taco Bell, Comedy Central, Adult Swim and Simon & Schuster. They have also helped to promote albums for bands such as Maroon 5, Daft Punk, The Killers, Kings of Leon and Pearl Jam and sparked comedy careers including those of Dane Cook, Amy Schumer, Lewis Black, Jim Gaffigan and the TV show Workaholics. With so much success in their 17 years of existence, these achievements didn’t come right away for Chris Elles, Jon Landman, and Tracey Zucatti, partners at The Syndicate. Everything started with music. “Music is still as important and as impactful on people even though the music industry has changed over the last decade but comedy is in a renaissance right now,” Elles said. “Between these two forms of entertainment, we’ve had our finger on the pulse of each division for so long. I think the future for us is working with more 64 | cre a t in g e ni u s | Summer Issue Following the introduction of Zucatti and Landman, Elles became a valued member of the team working with the street level promotions and comedy aspects of their group. “Chris was a client of ours and he would hire us to work with records and he had started the street marketing teams,” Zucatti said. “About two years into this, in 2001, our clients were asking about this street marketing and we wanted him to come over and help us develop a department. That was the next round of evolution. From