CosmoBiz Magazine November 2015 | Page 20

you in a mohawk. A lot of these models are walking in every single show. They’re working with different designers; different designers have different makeup looks and different hair looks. Your hair might be spiked for a show that’s right now and then for me to comb all of that product out and lay your hair down flat and put a low bun, and then you want it in a mohawk twenty minutes later. Or if you have a tribal look, as far as makeup, and then the artists have to wipe that off and go to a dewy look or go to a wet look. So it’s complex, and you have to be quick on your toes.” Bellis had noted a similar sentiment earlier, “You may have just seen we had some crazy mohawks on the runway and they have to be changed right away to very down and straight and very natural. It does get a little bit tricky when we’re backstage.” Fashion Week Tips with MARIA MOORE Maria Moore After the show, we caught up with makeup artist and educator Maria Moore, who had just finished her third run with the Plitz team. Moore noted that this year’s event had an impressive turnout, and she was personally loving the looks which she noted as being very “chic and retro.” Her favorite makeup look to create from the bunch, which went along with her favorite collection, involved the creation of faux-lace masks! Her advice for stylists and artists who want to be involved with fashion week is “Always make yourself available.” With large events like fashion week, stylists are in high demand,; that said the most important step is networking. If you know designers or already have contacts involved that’s the best way to get into the scene. Moore entered the fashion week world while working with a hair stylist who had a connection. Her last bit of advice, “A lot of times you have to volunteer your services—that can be your hook!” 20 COSMOBIZ SALON NOVEMBER 2015