SUBMISSION. Fall 2016 | Page 31

right there beside your mom.” When she doesn’t laugh, I decide to grant her some space. I go scouring for the red ball. It’s special to me. She says while I search, “One new inmate, alone and shirtless, sat far from the circle. He was doing something to himself. Something unusual - I had to ÅVLW]\_PI\ “When I snuck over, I noticed a tattoo on one of his arms. It said ‘Me’, and under it, [she peers up so even from within the dusk I see the crimson cracks in her eyes] seams of scars, like maggots crawling all over his bicep. I gaped at all the notches and asked what they were for. ‘To keep score,’ he said. ‘But against whom?’ I asked. He responded by lifting his other arm, this one free of marks, but also possessing a tattoo. It was the name of his opponent.” “And who was this mysterious ‘opponent’” I ask, indistinguishable from the rest of the gloomy waste in this corner. I grope among piles of rope for the ball. Crooked machines, like iron vultures, nip at their work. Groaning of iron. “I couldn’t read it yet because I noticed a shank between his legs - I shivered. I felt my gut yell for help but my throat smothered the shout. I trembled [\Q‫ٺ‬0M\WWS\PMSVQNMIVLZQOP\JMNWZMUaMaM[ carved a single tally under that second tattoo. The one bearing the title of his rival: ‘The Law’. Blood dripped from his bicep, smacked the land, veined across the dirt, and seeped into the sand. “All I could do was stammer, so I told him, ‘Don’t worry, it looks like you’re beating it.’ But then a prisWVMZNZWU\PMKQZKTMPI^QVOW^MZPMIZL[KW‫ٺ‬MLIVL said, ‘Not when you consider the Judge sentenced him to eternity. Sure, the rest of us will be executed soon, but death happens to everyone. That poor loser has to wither away here forever. What’s worse than that?’ “The marked man nodded and said to me, ‘Yes, but Sister, I no longer have to cut myself, so I ask you, who’s truly free?’ Then he rose and faded to the edge of the yard, like an apparition. Even the other inmates enjoying the game paused to stare. They shook their heads and murmured together that ‘the craziest really are the ones that confess.’” “The metaphor is obvious, babe” I say, giggling, and trudging from the dark. “Stop torturing yourself with these crazy thoughts.” I slither back onto the mattress and kiss a spoke in her rib cage. “Now that the lesson is over, can we have some fun?” I roll to my back, vigilantly so the bedsprings can’t bite me, and with a wink, I reveal the red ball, dangling it by one of its black straps that lock behind the jaw. The factory hissing. The factory groaning. Author's note: “The Prisoner Game” shows how people often ignore their self-destructive worlds and require disasters to teach them the truth. When the author describes his experience in a dangerous and corrosive setting, he does so bluntly and without negative ZMÆMK\QWV[_PQKPPQV\[\W\PMZMILMZ\PI\PMPI[ come to accept this unusual and unacceptable place. He is also unaware of his own verbal irony when he declares that he’d rather die than spend time at KP]ZKPI[\I\MUMV\ZMÆMK\Q^MWN \PMXZQ[WVMZ[QV his lover’s nightmare. In contrast to the author, the female character has both physically and metaphorically woken up from her “nightmare.” She separates from the author, inches away from their dangerous bed, and stares toward the window, communicating PMZLM[QZM\WÆMM