Collections Jul/Aug 2010 Volume 84 | Page 2
from the executive
DIRECTOR
Visit columbiamuseum.org
Karen Brosius
Major Exhibitions
Imperial Splendor: Renaissance Tapestries from Vienna
May 21 – September 19, 2010
Innovation and Change:
Great Ceramics from the Ceramics Research Center
May 28 – September 5, 2010
Gallery Installations
Columbia Green: Year of the Tree
Wachovia Education Gallery
May 19 – September 12, 2010
SC6: Six South Carolina Innovators in Clay
Mamie and William Andrew Treadway, Jr. Gallery 15
June 16 – September 19, 2010
Upcoming Major Exhibitions
I Heard A Voice: The Art of Lesley Dill
October 1, 2010 – January 23, 2011
Corolla
2005/2008
rubber, fabric, thread, wire
31 x 25 1/2 in.
Who Shot Rock and Roll: A Photographic History
February 25 – May 25, 2011
Henry Diltz
Tina Turner, taken 1985,
printed June 2009
digital print from 35 mm transparency
24 x 20 in.
Henry Diltz/Morrison Hotel Gallery
© Henry Diltz
Cover Image: Imperial Splendor:
Renaissance Tapestries from Vienna
The Birth of Romulus and Remus, detail, Brussels,
Workshop of Frans Geubels, c. 1560, wool, silk, silver,
and gold, Kunsthistorisches Museum, Vienna
Currently on view at the Museum are two very distinctive
exhibitions highlighting exceedingly skilled art forms:
tapestries and ceramics. They reveal exquisite craftsmanship
from time periods years apart and places miles apart. The 16th
century is alive with the hand mastery of some of the greatest
weavers of our time who used an abundance of gold, silk
and silver threads to tell the legend of the founding of Rome;
the 20th century is brimming with the talents of master
ceramicists from throughout America as well as leading artists
from Asia and Europe who influenced the Americans. These
two exhibitions point to an unique element that makes the
Columbia Museum of Art stand out from all other museums in the state – the
diversity and range of art we collect and showcase. As the most comprehensive
international art museum in South Carolina, we house an important selection of
fine and decorative art from around the world and bring exceptional exhibitions to
the state.
The Museum’s collection, traveling exhibitions, and educational programming focus
on the rich and diverse arts from around the world that strengthen the bridge to other
countries and cultures for the people of South Carolina and its visitors.
From emerging to well known artists, from intimate to large scale shows, and from
centuries old and new, exhibitions at the Museum highlight many different art forms.
Two exhibitions that stand out in particular are Turner to Cézanne, a hugely popular
exhibition of French impressionism we showed in 2009 that had never been seen in
the United States, and Carolina Collects, organized by our curatorial department in
2008 that focused on ‘hidden jewels’ from private collectors around the state. Both
exhibitions brought much success, prestige and new audiences to the Museum.
In addition, our international focus on collecting and exhibitions has come to the fore.
Our schedule reflects African, African-American, European and American culture and
heritage, Chinese sculpture and Egyptian history, and more. Paintings, photography,
glasswork, sculptures, furniture, textiles, accessories, jewelry and rare objects tell
intriguing stories and reflect ways of life around the world. Defining movements of
art such as Modern and Contemporary, Minimalist and Conceptual, Impressionist
and Post-Impressionist, Abstract and Expressionist, and Realism were represented.
Many of these themes are reflected in the Museum’s collection. In fact, newly designed
galleries are dedicated solely to our growing collection of Asian and American art. The
collection houses many artists featured in these exhibitions, as we continually strive to
expand our knowledge and expertise of art and artists around the world.
Our collection and marvelous assortment of exhibitions would not be possible
without the dedication of the Museum’s Board of Trustees and the Commission. The
Board and Commission members – 29 strong – go above and beyond every day in
their abiding commitment to the Museum. I would especially like to thank Ron Rogers
for his dedication as board president over the past three years, which is a year more
than the usual two. He has provided constant and caring leadership to the Museum,
and we have flourished under his guidance. He and his wife Hannah have been
passionately involved in every facet of the Museum, and we thank them for their
generosity, loyalty and great humor. I welcome Duncan McIntosh as our new board
president, who has served as Vice Chair of the board of trustees and is ready to help
the Museum reach its next level of promise. Many thanks go to all of our board
members for their belief and vision in the Museum, its members, visitors and staff
and the Columbia region. They are making a meaningful difference in the cultural
life of Columbia and South Carolina.