Collectible Guitar MarApr 2017 | Page 42

to be higher because it’s about lasting quality, serviceability, just the one guy doing the and change for improvement only. whole thing. When you build He had a maverick approach, thirty of something like the without being careless. Founders Project guitars, you can do the components in All of that, in my mind, comes production runs. You can do from the original Fender ethos. all the bodies and all of the Having those values intrinsic to necks at one time. So, the our heritage doesn’t mean that we price seemed perfect to us just do old stuff. Leo Fender would for the level of complexity of have never stopped at the Strat, the build. or the Jaguar, or the Jazzmaster. He would have continued to [CG] What is it like to carry create new, complete designs. on the legacy of something That’s another beautiful thing that started in the late 1940’s? about Fender guitars, is that they are complete designs. Every part [Mike] What I feel was most works together with every other important to Leo was building part. Our instruments aren’t just the best possible tools for the same thing with different musicians. He always relied pickups, or a different bridge. It’s on the artists for feedback, not like two pickups, four knobs, and to and a switch with 10 different make a better performing body shapes. Each instrument instrument. He never made is its own complete design and a change to a design unless they’re beautiful. he truly wanted it made it better, made it last longer, or made it more photo: Henry Diltz serviceable. Look at some [CG] If Leo Fender were still alive, what would you say to him? more screws to hold it down. of the changes that were made over the years on the Stratocaster for example. It went When he was asked to come up with a guitar [Gene] Sir, you were a visionary far beyond from a one-piece maple neck to a rosewood with a vibrato tailpiece, instead of just copying your time. If you could only see how you fingerboard – why? What happens to a maple what was out there at the time and having changed the face of guitars moving forward. neck after you play it for a few years? It gets something with big, heavy, external hardware. I’m extremely proud to have been a part of worn out, or the finish comes off, or it starts He invented this device that was hidden inside Fender. to look dirty. Before the rosewood fingerboard the body, with a curvy arm that mysteriously there was nothing you could do about that. We disappears into the guitar body. It was also switched from a single-ply pickguard to completely different and new. He was a great a triple-ply – why? What happens to a single- innovator, not to mention the ply pickguard after a number of years? It has great inventions that Leo a tendency to sometimes warp a little. So, we came up with, like the went to the triple-ply pickguard and added Fender bass. He cared [Mike] Thank you! photos couresty of Fender pictured above, Gene Baker 42 Mar  Apr 2017 CollectibleGuitar.com