Cliche Magazine Oct/Nov 2014 | Page 132

COLUMN | TERRY CHECK 15 MINUTES OF FAME H ave you ever visited a modern art museum, like the Tate in London or MoMA in New York, and wondered, “Is this picture of a Campbell soup can or a stack of supermarket boxes really fine art?” It’s hard to imagine sometimes why art is loved by so many art enthusiasts willing to pay millions of dollars for a single piece by Andy Warhol. Take, for example, the 1984 Michael Jackson portrait: Warhol silkscreened a photograph onto canvas, then brushed on bold colors, highlighting facial features that created a cartoon-like character resembling a mask. Huge crowds throughout the world attend his art exhibitions. What is it about Andy Warhol that fascinates so many? Born in the dirty steelmaking city of Pittsburg, Pennsylvania, this son of immigrants was raised by loving parents in a tenement where dinner was often ketchup mixed in hot water. Contracting Sydenham’s chorea at an early age, the shy and frail boy was mostly bedridden for a year, unable to attend school, yet staying faithful to his church. With his mother’s encouragement, he started to cut out pictures from movie magazines and drew sketches of Hollywood stars in a world far from his own. Warhol eventually recovered, finished school, and graduated from Carnegie Institute of Technology, where he studied commercial art. The rich imagery gathered during his childhood, the glamour of movie stars, and the influence of the Catholic religion would eventually fuse into his artwork portraying celebrities as cultural icons. Desperate to join the glitzy world of movie magazines, the young Warhol packed his bags and headed to New York City in search of a job as a commercial illustrator. Dressed in a worn suit and carrying his art portfolio inside a paper bag, he called upon art directors of all the uptown fashion magazines. Often Warhol would hang around a coffee shop called “Serendipity III” on East 60th Street, where he drew sketches in exchange 132 | OCT/NOV 2014 for pastries and coffee, and spent hours gazing across the room to watch famous movie stars like Marilyn Monroe and Marlena Dietrich. After long days of interviewing with Madison Avenue advertising agencies and enduring rejection after rejection, the struggling artist would sip cappuccino at Serendipity III with the shop owner, Stephen Bruce, and show him the rejected sketches that nobody bought. Offering to help Warhol, who always seemed socially awkward, Steve hung the sketches on the coffee shop walls with a selling price of $25 each, splitting the sales 50/50 with the artist. Wow… this was his first exhibition in 1950. Warhol, known as “Raggedy Andy” and always wearing the same worn gray suit and