Cliche Magazine Aug/Sept 2018 | Page 95

Photo Credit: Eliot Lee Hazel DEATH CAB for CUTIE Photo Credit: Chris Rhoads Records. By now, Nathan Good has been added on the bass guitar and Walla was taking on the task of producing. The album includes the track “The Face That Launched 1000 Shits,” which is a cover of the original song by label-founders Revolutionary Hydra. 1998–1999 The indie music scene begins praising Death Cab following their first official album release. The band plays a set at the 1999 iteration of the South by Southwest (SXSW) festival, alongside artists like Tom Waits, Built To Spill, Spoon, and The Flaming Lips. They are eventually introduced to their longtime manager Jordan Kurland, who had attempted to see them at SXSW after hearing the buzz. Although he did not make it to the show, he later met them while touring with another client. The same year, the band began recording their next album. MARCH 21, 2000 Death Cab for Cutie’s first-ever concept album, We Have the Facts and We’re Voting Yes, is released with no singles. Once again produced by Walla and recorded in The Hall of Justice, the album showed a band playing through growing pains. Good had unexpectedly left the band during the recording process, and Gibbard was filling in on drums. Gibbard plays the drums on all tracks, except for on the Good-featuring “The Employment Pages” and “Company Calls Epilogue.” Despite the difficulties, the album still received positive reviews. About a week after its release, Pitchfork granted the album a score of 7.5. OCTOBER 24, 2000 The Forbidden Love EP is released, featuring the newly-joined Michael Schorr on drums. Two of the tracks are alternate takes on songs originally released on their previous album. OCTOBER 9, 2001 The third studio album, The Photo Album, is released on Barsuk and on the London-based label Fierce Panda. The album’s three singles – “A Movie Script Ending,” “I Was a Kaleidoscope,” and “We Laugh Indoors” – all charted on the U.K. Singles Chart for the first time. OCTOBER 31, 2001 Amidst a wave of success, Walla and Gibbard begin feeling the pressure and