Cliche Magazine April/May 2018 - Page 58

a sea of UNDEFINABLE STUFF “otherwise, you're just getting in the way of the music. You have to give up the security of your elegance.” Photo Credit: Gaya Feldheim Schorr W hen I met O Mer—or Omer, something we’ll get more into later—for the first time, he was performing in the back room of Alphaville, a trendy bar in Bushwick that doubles as a venue. The spot has become a fan-favorite among emerging NYC-based acts, hosting eclectic three- or four-band bills on a nearly daily basis. He was the closer of the night, following the notably more indie-rock oriented Secret Crush and No Ice. By the time he began playing, everyone was sweating; it was the middle of July and the back room lacks air conditioning. But, somehow, there was something chilling when he and his band took the stage. The 58 semi-electronic band pulled together soulful and eastern influences to create a performance unlike anything I had ever seen before. He only had a couple of singles out on SoundCloud at the time. When I sat down with him again in anticipation of the upcoming Refugee EP release, we reminisced about that night. “How long has it been since that Alphaville show?” “That was when I had just started interning, so I think it was May or June.” Actually, I was wrong; it was definitely in July. But the rapidity of time passing was evident, regardless. “Wow, it’s been a sec,” he laughed. The passage of time was surely more www.clichemag.com noticable for him than it was for me; we discussed how I had been away at college, while he had been working on his music amidst record label complications that derailed his progress multiple times. We were still on the topic of Alphaville when he brought up the road bumps: “The album [Refugee] was supposed to be released then; that was the initial plan.” When he began telling me about why the release was postponed so severely, it turned into a story that—unfortunately— many artists know all too well. “We wanted to release it independently, and we released the first single in February.” He was referencing “Now I’m Alive,” the breakout single that led me to his show in