Clay Times FREE PREVIEW Issue Vol. 21 No. 100 | Page 19

Perspectives I As Far As I Know Teapot by Pete Pinnell. Wheel-thrown and altered stoneware with weathered bronze glaze, fired in an electric kiln to cone 6. A third thing you can do is apply the glaze in the way that shows it at its best. If the glaze looks best when applied very evenly (like a celadon, for instance) then you many need to mix a larger batch of the glaze so your pot can be glazed by dipping. If droplets of the glaze look best then you might want to experiment with dripping the glaze on or even flinging it on in handfuls. Remember: the best way to apply a glaze is in the way that gives the best result. Sometimes the secret to glaze application may be more subtle. At an earlier time in my career I used a lot of cone 10 reduction copper red glazes, which tend to be quite runny. Despite their tendency to run, I wanted to apply these glazes all the way down to the foot so that I wouldn’t have a white foot showing below the red glaze. After a lot of testing, I found that the best way was to dip the pot while holding it straight upside down. That way, the top entered the bucket of glaze first and departed it last, resulting in an application of glaze that was thickest at the top of the pot and thinnest at the bottom. During the firing, the glaze would move downward, resulting in a fired glaze that appeared to be all the same thickness. When I got it just right, the glaze would cover all but the bottom eighth of an inch, yet (most of the time) not run off the pot. Speaking of glaze thickness, the application of glaze also plays a CLAYTIMES·COM n 20TH ANNIVERSARY • AUTUMN / WINTER 2015 the surface of the pot underneath the glaze. A closer look will often reveal that the glaze looks best over certain parts of the pot. What were those? It may be where the glaze breaks over an edge, pools in a depression, thins out over a bulge, or collects in a droplet. Whatever it is, finding the spot where the glaze looks best will provide you with some clues as to how to treat the surface of the clay as well as how to best apply the glaze. 19