City Life Magazine 08 | Page 33

FEATURES and promotion of exhibitions, events, readings or lectures by museums, private galleries, and others began to flow through the new portable devices, which become more and more popular. This extensive, perhaps excessive propagation of information leads me to two considerations: first, the desire to exaggerate the diffusion could lower the quality of the message that, in order to be understood by the majority of the audience, have to be based on medium / low parameters of language and content; and second, the difficulty by the users in metabolizing the imposing mass of information that daily come within his reach. Hence, the risk of a cultural overload and the consequent failure to understand/appreciate what has been received. If these are the potential risks, the benefits that can result from a smart grid applied to culture shall be to induce tremendous positive effects on its understanding, the ability to inspire a love for art and its values, especially among the younger generations. The Cleveland Museum of Art (Ohio) is working on these issues since several years, now under the 33 direction of Fred Bidwell and his team. The Museum was founded in 1913, and under the leadership of Frederick Allen Whiting, its first director, was dedicated since the beginning to the cultural formation and education of its citizens, through programs aimed at developing knowledge of the secrets of art and craftsmanship. Exactly a century later, in January 2013, was opened the new Gallery One, the brainchild of the then director David Franklin and developed at its completion by the actual director Fred Bidwell. Gallery One includes the incredible multimedia services offered by the Museum, the new core technology from where it all starts. ArtLens, Collection Wall, and Studio Play are the three amazing IT tools that the CMA has created and made available to the public, designed to make the experience of the art comprehensive, interactive, simple and practical especially for those who have always regarded the art as something elitist, inaccessible or incomprehensible. The interaction between technology/art work demolish all the physical and psychological barriers which over time are layered around the theme of Art. I asked Caroline Guscott, Communication Manager, to introduce us to the incredible functionality of ArtLens:“The Cleveland Museum of Art in 2013 announces the launch of the new ArtLens app for i-Phone. This new mobile version of the museum’s award-winning free i-Pad app, ArtLens, is adaptive to the varying needs and desires of museum visitors and includes over 9 hours of audiovisual content. Featuring a new, mobile-friendly