Caring magazine 47 Caring November 2017 | Page 9

Read more poems and stories: carersuk.org/creative Catherine Graham won our Jo Cox Poetry Prize for her poem, The Washing Machine. Here she tells us how sometimes it’s not only the carer that can experience feelings of loneliness In her day my mam, Doris, was the life and soul of any get together. We were inseparable and I adored her. She was 90 when she passed away last November. I was mum’s carer for ten years, eventually she became housebound and I did everything for her. It was a privilege to care for her – you only get one mum. Seeing mum struggling to be her loving, gentle self was hard. The love was still there but she was getting so weary. She would get cross with me and it would break her heart. Sometimes I would cry buckets, but I didn’t cry in front of her. At times my full-of-joy mam was still there. I would put her favourite music on and we would sing or dance a slow waltz. The thing that irritated mum the most was the washing machine. The poem is my daily experience of caring for her. She’d say, ‘I don’t care if the washing gets piled high, I just want your company Catherine, I’m lonely.’ You don’t have to be alone to feel lonely. Looking on the Carers UK website was comforting. Knowing other people were feeling the same was a kind of @carersuk /carersuk companionship in itself. Mum has inspired many of my poems. Whenever I read her a new poem she would say, ‘Aye, if you like it Catherine, but it doesn’t rhyme.’ It’s almost a year since my mam passed away and I can imagine what she would say, ‘You won, I hope this one rhymes.’ The washing machine Catherine Graham 1 st PRIZE She dislikes the sound of the washing machine so I sing as it starts to spin, willing it to stop before she calls for me from the bathroom. She used to love hanging the washing out, proud to peg ‘the whitest sheets in the street’ and watch them as they billowed on the line. Sometimes, they’d be bone dry but she’d leave them out, on show to Mrs. Ridley. I remember how Mrs. Ridley and my mother would stand, arms folded, like bookends in headscarves and slippers exchanging the latest chinwag. I remember the pleasure Mam took in folding the bedclothes with me, how she’d do that little dance towards me until our fingers met; her fingers gentle and plump. ‘Where are you?’ she shouts from the bathroom, ‘I’ve sat here two hours!’ It’s been two minutes. I hurry along the passage, still singing ‘our’ song. Keeping her face to the wall, Mam joins in: ‘My my my, Delilah! Why why why, Delilah?’ We sing our hearts out, each of us as lonely as the other. 9