Canadian Musician - March / April 2020 | Page 22

ROAD TEST Strymon Iridium Amp Modeler & IR Cabinet Pedal By Omar Shabbar O ne of the most well-respected pedal companies in the market has released a new offering and it’s taking the industry by storm. The Strymon Iridium uses amp simulation and cab impulse responses to squeeze three fantastic amps into a board-ready pedal. Although amp sims and cab IR have been around for decades, the Iridium is turning the heads of vintage gear traditionalists and demanding to be taken seri- ously. I had to get my hands on a unit and find out what all the fuss was about. Overview First, let’s talk about the unit itself. Like every- thing Strymon makes, you know it’s going to be quality, and the Iridium is no exception. The pedal has three different amp emulations: round (Fender style), crunch (Vox style), and punch (Marshall style). These three amps are found on virtually every amp sim these days and are becoming the industry standard because of the wide range of tones all three amps afford. There are three different cab types for each of the three sims, which are designed specifi- cally for the amp that they’re partnered with. That means we have nine different amp/cab combinations from the outset, but there are many more than can be unlocked by plugging the pedal into the computer via USB and cus- tomizing. Aside from the basic drive, level, bass, mid- dle, and treble knobs, the Iridium has a very unique room knob, which is a perfectly suited, subtle yet lush room reverb. Strymon has built its reputation in large part on the backs of its BigSky and blueSky reverb pedals, so it’s no sur- prise that the room reverb is fantastic. The pedal has two footswitches: a bypass and a Favorite switch, which allows you to in- stantly recall a desired preset. On the back, we have all the standard jacks plus a handy head- phone jack on the front. Iridium vs Other Amp Simulations The Iridium is simple to use and it’s clear that Strymon designed the pedal so that guitar- ists at any level can easily dial in a great tone. Most importantly, though, it sounds great. It’s quite convincing and could fool just about any 22 C A N A D I A N M U S I C I A N blindfolded critic into thinking this was a real amp. But nowadays, it’s not hard to find an amp sim and cab IR that sounds convinc- ing and authentic. What I believe separates the Iridium from the rest of the pack is the user-friendly layout: it’s a simple two-switch pedal with straightforward, tactile control. For the many guitar players on the fence about the proliferation of amp simulation, the Iridium is nothing but accessible and that may be the difference-maker. Utility Pedal Perhaps the most unique thing about the Iridium is its multi-functionality. Really, it can be used in so many different situations. The obvious utility is a gigging amp. You can plug the pedal right into a powered monitor, the EFX return of another amp, or straight into the PA for nine convincing guitar sounds. The pedal sits on your board so you have complete control of your amp right in front of you. I know many guitarists already have the Iridium in their gig bag purely as a backup amp. It’s smaller and lighter than any backup you may be carrying around already and could really save your show. Plus, the headphone out means you can plug your whole board into the Iridium and practice with headphones on. When I practice, hitting the cues on my board is just as impor- tant as getting the right chords. If you’re recording guitar at home or in the studio, it can be used as a preamp that goes straight into your interface so you don’t have to worry about amp volumes or proper miking techniques. Niche Market Of all these utilities, I believe having the unit as a backup amp is the most useful and realistic. If you’re a traveling guitarist who needs a backup amp then this unit is perfect. It sounds great, it’s small enough to fit in your gig bag, and you can practice with headphones on-the-go; however, if you’re not gigging and traveling all the time, which most of us aren’t, you may not need this pedal. I believe this is the main snag with the Irid- ium: the market for this product is somewhat limited. If you’re in that niche, you should check out the unit because it’s fantastic for what it does, but it may be overkill for many. The nine onboard amp tones sound really good but there are also a lot of sounds you can get with a couple of drive pedals and a tube amp, which you might already own. If the Iridium was your main amp, you’d need a speaker of some kind, which can be just as expensive and heavy as a tube amp. You could give your guitar signal directly to the sound person from the Iridium, but I know a lot of guitar players aren’t comfortable with that. Summary Ultimately, the Strymon Iridium sounds great, is well-built, and is very simple and straightfor- ward to use. I suggest trying it out if you’re at all curious by all the attention it’s been getting; just make sure it meets your individual needs before making the investment. Omar Shabbar is a gigging musician based out of Toronto. He’s also an onsite guitar tech at The Root Down Studio (www.therootdownstudio.com) and a self-proclaimed gear head. In the rapidly changing industry of modern guitar gear, Omar attempts to discern innovation from distraction. Check out his YouTube channel, featuring dozens of gear reviews and performance clips, at YouTube.com/ OmarGearReview.