Canadian Musician - July/August 2020 | Page 18

AS HEARD ON THE... Remington Leith & Sebastian Danzig of PALAYE ROYALE For the full conversation, listen to the June 3, 2020, episode CM: Sebastian mentioned earlier that there’s been multiple times in the last five years that you guys almost broke up. Was that exacerbated by being three brothers in a band, or is that connection what kept it together? JON CORBIN For the full conversation, listen to the June 17, 2020, episode CM: Recently, The Weeknd donated $500,000 to Black Lives Matters and other related initiatives. He also called on the major labels to put up money because, as he says, no other companies have capitalized so much on the work of Black artists. A few days later Sony Music and Warner Music donated $100-million each to internal and external funds and initiatives, and Universal Music created a $25-million “change fund.” Does this give you hope or worry that its wallpaper to get through the headlines? Jon Corbin: It’s probably a mix, because those movements were really swift. It’s a lot of money, which means that money was there and those opportunities were there and the spark was required for this to happen… Its mere existence doesn’t denote efficiency or that we’re going to be satisfied with the result. I think those are great things if used properly. It requires accountability and usually that comes from the media. That kind of long-term focus is not seen in media for a lack of resources or a lack of interest or our propensity for distraction or a need for clicks or whatever it is. It’s probably a combination of things. So, there needs to be accountability there and we need to see how those things end up. I’m glad that they can move, but again, it makes you sort of question what money they have on-hand and where it’s going that they could pull that kind of commitment together really quickly. Then I also think about either the movements they’ve made towards removing “urban” from categories and having a better understanding of not boxing all Black expression into one thing… Remington Leith: I think it’s a little bit of both, but I feel like our love outweighs our hate for each other. I’d bet anyone going through quarantine right now with someone can feel it, but if you’re with someone long enough, you’re going to find faults and have some problems with each other, no matter what. Sebastian could just be eating a banana the wrong way and I want to rip his face off. When you’re with somebody so long, you’re going to get under each other’s skin. But honestly, what we’re doing is so special and when we have those moments on stage when we have those songs we wrote together and we see a crowd of people in a foreign country singing the lyrics back to us, it’s like, “You eat a banana any way you want.” [laughs] WHITNEY ROSE For the full conversation, listen to the May 20, 2020, episode CM: What’s your quarantine experience been like? You find the monotony of it has helped or sapped creativity? Whitney Rose: I had all these grand plans. Obviously, I had the record release coming up [for We Still Go to Rodeos] and there’s all this stuff to do to prepare for that. But I told myself, “Oh, I could write a record. I could write two records! This is so perfect.” But then two days later I sit down with my guitar and it’s like, “Oh shit, nothing is happening.” Since then I have written a little bit, but I don’t know what it is? I just haven’t had the creative burst yet that I was hoping that I would have. That’s not to say that it won’t come, because a few nights ago I went kind of crazy and started writing and from that night I have four incomplete songs. So, I am being creative, but I don’t like to write when it doesn’t feel right. I know that’s not a novel concept, but because I write alone, I don’t have to really force it, ever. CM: Any idea what spurred that creative burst a few nights ago? Rose: Yeah, some really good weed [laughs]. PHOTO: MICHAEL MCKEOWN Listen to new episodes of the Canadian Musician Podcast every Wednesday at www.canadianmusicianpodcast.com. All episodes can be found on the website or through Apple Podcasts, Google Podcasts, Stitcher, Spotify, or wherever you get your podcasts. 18 CANADIAN MUSICIAN