Cake! magazine by Australian Cake Decorating Network May 2015 | Page 71

What is it that you love about painting on cakes? What do you believe to be the most difficult thing about painting on cakes? I was a graphic artist and textile designer for 26 years. Pure graphics, with little to no fine art painting or illustration. I did not study this at college so steered away from it. I always wanted to try it out, like painting onto canvas, etcetera so I started canvas painting in 2008. I loved it so much, so when I started cake decorating, my cake surface became my new canvas and I thoroughly enjoyed this new discovery as it gave me an opportunity to extend creativity onto cake. I think the biggest challenge when painting onto cake is the angles, as it can limit control with the brush. So ensure you set up your project in such a way that you have as reasonable access to your subject, so that may be raising your cake, or tilting it at angles too. What are some of the different methods you use to apply the colours? The two methods I’ve worked with are the vodka and edible colour dusts. The second one I work with is cocoa butter mixed with edible colour dusts. What tips do you have for mixing and preparing colours for painted cakes? My experience in mixing colours comes from way back when I was a textile designer. I used to sit and look at colours for ages to see what colours I could see inside a colour. For example you could look at a brown and see red, or yellow, or green.  My tip is don’t be afraid to experiment in colour mixing, you’ll be amazed what a fabulous colour palette you can come up with. For example the colour palette I used to paint this self portrait of Van Gogh. When it comes to painted cakes is there anything you shouldn’t do? I think with all things art related, there are no rules or do’s and don’ts. “Creativity is all about freedom of mind and spirit. So feel free to experiment as mistakes can sometimes become fabulous discoveries and highly liberating.”  Are there any specific brands of colour you like to use when painting cakes? Sometimes the odd mistake is inevitable, what are you tips for rectifying these? I don’t have a specific brand, just what is available to me, which are mainly Sugarflair colour dusts and pastes. I also have a few Edible Art colours and I also really like the few PME colours I have tried. I only use colour dusts. You can use the gels as well, but it depends on what effect you are looking to create. I rarely use gels as I don’t like the shiny finish. One way is to turn your mistakes into part of design, but if this is not possible then it’s a matter of careful cleaning: Do you transfer your patterns prior to painting? b. If using cocoa butter, I take a cotton bud, dip it into melted cocoa butter and use the same process as ‘a’ I use free hand where I can as it’s easier than trying to transfer, but if I’m in a hurry, I transfer my design on. My suggestion to those just starting out with this medium, is to trace out your outline onto your cake and have your subject/photo nearby so you can use it as your reference to work with.  You can use a cel stick with point to press design into cake. Be careful and take it slowly as it’s awkward, and when tracing you can slip and you can push fingerprints into sugarpaste. c.  ever use water. This will cause N damage and smears onto your surface. Do you have any words of wisdom for the caking community? a.  using vodka and colours to If paint with, I take a cotton bud, dip it in vodka and carefully wipe away the mistake, it might take a few attempts. It will be more successful doing this as soon as the mistake has been made as tends to be more successful. What is your favourite painted cake? I have no hesitation in saying that painting my lions is my favourite. It came straight from my African heart, as most of my life has been spent in African countries and I spent a lot of time in the game parks. I would just like to end by saying that painting is all about self-expression and freedom. Enjoy this inner experience, it’s highly satisfying and fulfilling. When I am painting, I put on my favourite music and disappear into my design, it so therapeutic and calming. Take your time, don’t stress, practise on old boards covered in fondant. It’s so satisfying.